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John Martin Collection (page 2)

111 items

Background imageJohn Martin Collection: Duke William and the Norman invasion fleet cross the channel

Duke William and the Norman invasion fleet cross the channel
3697041 Duke William and the Norman invasion fleet cross the channel, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Background imageJohn Martin Collection: Plesiosaurus battling Temnodontosaurus (Oligostinus), 1840 (engraving)

Plesiosaurus battling Temnodontosaurus (Oligostinus), 1840 (engraving)
3697027 Plesiosaurus battling Temnodontosaurus (Oligostinus), 1840 (engraving) by Martin, John (1789-1854); Private Collection; (add.info)

Background imageJohn Martin Collection: Portrait of Charles Robert Cockerell, 1817 (graphite on paper)

Portrait of Charles Robert Cockerell, 1817 (graphite on paper)
1217894 Portrait of Charles Robert Cockerell, 1817 (graphite on paper) by Ingres, Jean Auguste Dominique (1780-1867); 19.1x14.6 cm; Ashmolean Museum, University of Oxford

Background imageJohn Martin Collection: The Isle of Man, 1848 - 1854 (oil on mahogany panel)

The Isle of Man, 1848 - 1854 (oil on mahogany panel)
1217893 The Isle of Man, 1848 - 1854 (oil on mahogany panel) by Martin, John (1789-1854); 30.3x46.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageJohn Martin Collection: Islip, near Oxford (pencil & w / c on paper, pasted on board)

Islip, near Oxford (pencil & w / c on paper, pasted on board)
473984 Islip, near Oxford (pencil & w/c on paper, pasted on board) by Andrews, Douglas Sharpus (1885-1944); 31.8x20.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageJohn Martin Collection: Design for the Seventh Plague of Egypt (ink & w / c on paper)

Design for the Seventh Plague of Egypt (ink & w / c on paper)
473981 Design for the Seventh Plague of Egypt (ink & w/c on paper) by Martin, John (1789-1854); 37.0x24.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageJohn Martin Collection: Native Sorcerer and Rain-maker, illustration from The Pictorial Edition of the Life

Native Sorcerer and Rain-maker, illustration from The Pictorial Edition of the Life
STC418128 Native Sorcerer and Rain-maker, illustration from The Pictorial Edition of the Life and Discoveries of David Livingstone by J. Ewing Richie, pub. by A. Fullarton & Co

Background imageJohn Martin Collection: Overtaken by the Sirocco, illustration from The Pictorial Edition of the Life

Overtaken by the Sirocco, illustration from The Pictorial Edition of the Life
STC418124 Overtaken by the Sirocco, illustration from The Pictorial Edition of the Life and Discoveries of David Livingstone by J. Ewing Richie, pub. by A. Fullarton & Co

Background imageJohn Martin Collection: The Village Artist, 1899 (oil on canvas)

The Village Artist, 1899 (oil on canvas)
TW427011 The Village Artist, 1899 (oil on canvas) by Dollman, John Charles (1851-1934); 60.9x50.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageJohn Martin Collection: The Expulsion of Adam and Eve from Paradise, 1823-27 (oil on canvas)

The Expulsion of Adam and Eve from Paradise, 1823-27 (oil on canvas)
TW426987 The Expulsion of Adam and Eve from Paradise, 1823-27 (oil on canvas) by Martin, John (1789-1854); 77.2x112.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageJohn Martin Collection: Haydon Bridge (oil on board)

Haydon Bridge (oil on board)
TW426992 Haydon Bridge (oil on board) by English School; 23x30.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Haydon Bridge, Hexham)

Background imageJohn Martin Collection: Clytie, 1814 (oil on canvas)

Clytie, 1814 (oil on canvas)
TW426988 Clytie, 1814 (oil on canvas) by Martin, John (1789-1854); 62x92.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info)

Background imageJohn Martin Collection: The Destruction of Sodom and Gomorrah, 1852 (oil on canvas)

The Destruction of Sodom and Gomorrah, 1852 (oil on canvas)
TW426984 The Destruction of Sodom and Gomorrah, 1852 (oil on canvas) by Martin, John (1789-1854); 136.3x212.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageJohn Martin Collection: Study of a Sailing Dinghy (oil on paper)

Study of a Sailing Dinghy (oil on paper)
TW427008 Study of a Sailing Dinghy (oil on paper) by Hemy, Charles Napier (1841-1917); 44.2x56.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

Background imageJohn Martin Collection: Arthur and Aegle in the Happy Valley, 1849 (oil on canvas)

Arthur and Aegle in the Happy Valley, 1849 (oil on canvas)
TW426986 Arthur and Aegle in the Happy Valley, 1849 (oil on canvas) by Martin, John (1789-1854); 122x182.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageJohn Martin Collection: The Bard, c. 1817 (oil on canvas)

The Bard, c. 1817 (oil on canvas)
TW426985 The Bard, c.1817 (oil on canvas) by Martin, John (1789-1854); 215.5x157 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: The Bard illustrates Thomas Grays poem of the same title)

Background imageJohn Martin Collection: Affection, a Javanese Beauty Holding a Child (oil on canvas)

Affection, a Javanese Beauty Holding a Child (oil on canvas)
1198445 Affection, a Javanese Beauty Holding a Child (oil on canvas) by Locatelli, Romualdo (1905-1943); 90x70 cm; Private Collection; (add.info.: Locatelli)

Background imageJohn Martin Collection: The Deluge, 1828 (mezzotint with etching)

The Deluge, 1828 (mezzotint with etching)
1198426 The Deluge, 1828 (mezzotint with etching) by Martin, John (1789-1854); 60x80.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Martin Collection: Vizagapatam bureau cabinet (inlaid and veneered ivory)

Vizagapatam bureau cabinet (inlaid and veneered ivory)
BAL1375 Vizagapatam bureau cabinet (inlaid and veneered ivory) by Indian School, (18th century); Private Collection; (add.info)

Background imageJohn Martin Collection: Assuaging of the Waters, 1840 (oil on canvas)

Assuaging of the Waters, 1840 (oil on canvas)
PHD602 Assuaging of the Waters, 1840 (oil on canvas) by Martin, John (1789-1854); 143.5x219.1 cm; Fine Arts Museums of San Francisco, CA, USA; English, out of copyright

Background imageJohn Martin Collection: View of Coimbra, Portugal

View of Coimbra, Portugal
CH35335 View of Coimbra, Portugal by Holland, James (1799-1870); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Martin Collection: Pan and Syrinx

Pan and Syrinx
CH35310 Pan and Syrinx by Martin, John (1789-1854); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Martin Collection: Belshazzars Feast

Belshazzars Feast
CH24129 Belshazzars Feast by Martin, John (1789-1854); Private Collection; (add.info.: not the same as CH8216; ); Photo eChristies Images; English, out of copyright

Background imageJohn Martin Collection: Sir Isaac Newton (lead) (see also 277113)

Sir Isaac Newton (lead) (see also 277113)
XYC277140 Sir Isaac Newton (lead) (see also 277113) by Cheere, John (1709-87); 27.9x17.8x8.3 cm; Yale Center for British Art, Gift of Paul Mellon

Background imageJohn Martin Collection: Untitled: Classical City in a Landscape, 1816 (wash on card)

Untitled: Classical City in a Landscape, 1816 (wash on card)
XYC277139 Untitled: Classical City in a Landscape, 1816 (wash on card) by Martin, John (1789-1854); 16.5x23.5 cm; Yale Center for British Art, Gift of Paul Mellon, USA; English, out of copyright

Background imageJohn Martin Collection: Obelisk beside the entrance to a walled harbour (oil on canvas)

Obelisk beside the entrance to a walled harbour (oil on canvas)
AGN284332 Obelisk beside the entrance to a walled harbour (oil on canvas) by Guardi, Francesco (1712-93); Private Collection; (add.info.: one of a pair (see 284357); ); Photo eAgnew s

Background imageJohn Martin Collection: The Celestial City and the River of Bliss, 1841 (oil on canvas)

The Celestial City and the River of Bliss, 1841 (oil on canvas)
AGN284328 The Celestial City and the River of Bliss, 1841 (oil on canvas) by Martin, John (1789-1854); 123.2x194.3 cm; Private Collection; (add.info)

Background imageJohn Martin Collection: One of the Seven Plagues of Egypt

One of the Seven Plagues of Egypt
CH24045 One of the Seven Plagues of Egypt by Martin, John (1789-1854) (attr. to); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Martin Collection: Kensington Gardens

Kensington Gardens
CH24031 Kensington Gardens by Martin, John (1789-1854); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Martin Collection: Noon, 1760 (oil on canvas)

Noon, 1760 (oil on canvas)
5938146 Noon, 1760 (oil on canvas) by Vernet, Claude Joseph (1714-89); 95x131 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageJohn Martin Collection: View in Richmond Park, 1850 (oil on paper maroufle onto sunderland A board with cellofas)

View in Richmond Park, 1850 (oil on paper maroufle onto sunderland A board with cellofas)
5938145 View in Richmond Park, 1850 (oil on paper maroufleonto sunderland A board with cellofas) by Martin, John (1789-1854); 50.8x91.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageJohn Martin Collection: Two friends (pastel)

Two friends (pastel)
PWI83679 Two friends (pastel) by Toulouse-Lautrec, Henri de (1864-1901); 45.5x67.5 cm; Private Collection; ePeter Willi; French, out of copyright

Background imageJohn Martin Collection: Sadak in Search of the Waters of Oblivion, 1812 (oil on canvas)

Sadak in Search of the Waters of Oblivion, 1812 (oil on canvas)
SOU81954 Sadak in Search of the Waters of Oblivion, 1812 (oil on canvas) by Martin, John (1789-1854); 76.2x63.5 cm; Southampton City Art Gallery, Hampshire

Background imageJohn Martin Collection: Kirkwall, Orkney, 1885 (w / c on paper)

Kirkwall, Orkney, 1885 (w / c on paper)
PNH356666 Kirkwall, Orkney, 1885 (w/c on paper) by Melville, Arthur (1855-1904); Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; Scottish, out of copyright

Background imageJohn Martin Collection: By the Aqueduct (ink on paper)

By the Aqueduct (ink on paper)
PNH356651 By the Aqueduct (ink on paper) by Martin, John (1789-1854); 22x27.8 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageJohn Martin Collection: The Drum Watch, 1916 (oil on canvas)

The Drum Watch, 1916 (oil on canvas)
TW427047 The Drum Watch, 1916 (oil on canvas) by Lucas, John Seymour (1849-1923); 43.2x33 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

Background imageJohn Martin Collection: Edwin and Angelina, 1816 (oil on canvas)

Edwin and Angelina, 1816 (oil on canvas)
TW426990 Edwin and Angelina, 1816 (oil on canvas) by Martin, John (1789-1854); 29x44 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageJohn Martin Collection: The Last Man (w / c on paper)

The Last Man (w / c on paper)
473976 The Last Man (w/c on paper) by Martin, John (1789-1854); 68.0x47.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: The last survivor of the dying earth stands on a cliff-top)

Background imageJohn Martin Collection: Majolica plate, Venetian, c. 1540

Majolica plate, Venetian, c. 1540
BAL1124 Majolica plate, Venetian, c.1540 by Lodovico da Venezia (fl.1540) (workshop of); Victoria & Albert Museum, London, UK; Italian, out of copyright

Background imageJohn Martin Collection: Bracket clock, c. 1700

Bracket clock, c. 1700
BAL1110 Bracket clock, c.1700 by Martin, John (18th century); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageJohn Martin Collection: South View of Kentwell Hall, from the Survey of the Estate of Richard Moore, Esq

South View of Kentwell Hall, from the Survey of the Estate of Richard Moore, Esq
XYC277515 South View of Kentwell Hall, from the Survey of the Estate of Richard Moore, Esq. Kentwell Hall, Suffolk, 1777 (pen & ink and gouache on paper) by English School

Background imageJohn Martin Collection: Moonlight (oil on canvas)

Moonlight (oil on canvas)
AGN284340 Moonlight (oil on canvas) by Martin, John (1789-1854); 45.7x55.9 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageJohn Martin Collection: Tobias and the Angel, 15th century (oil on panel)

Tobias and the Angel, 15th century (oil on panel)
AMO98799 Tobias and the Angel, 15th century (oil on panel) by Meloni, Altobello (fl.1497-1517); 112x48 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Background imageJohn Martin Collection: Joshua Commanding the Sun to Stand Still, 19th century (oil on canvas)

Joshua Commanding the Sun to Stand Still, 19th century (oil on canvas)
AMO98795 Joshua Commanding the Sun to Stand Still, 19th century (oil on canvas) by Martin, John (1789-1854); 63x76 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageJohn Martin Collection: Harry Houdini c. 1898 (litho)

Harry Houdini c. 1898 (litho)
1194746 Harry Houdini c. 1898 (litho) by American School, (19th century); Private Collection; (add.info.: Return of the greatest of all magicians, the Houdinis, Harry)

Background imageJohn Martin Collection: Figurative and Approximate map of the Movement of Travellers on the main Railways of

Figurative and Approximate map of the Movement of Travellers on the main Railways of
3029524 Figurative and Approximate map of the Movement of Travellers on the main Railways of Europe in 1862, 1865 (colour litho) by Minard

Background imageJohn Martin Collection: The Proposed Triumphal Arch from Portland Place to Regents Park, 1820 (litho)

The Proposed Triumphal Arch from Portland Place to Regents Park, 1820 (litho)
XCF282050 The Proposed Triumphal Arch from Portland Place to Regents Park, 1820 (litho) by Martin, John (1789-1854); Private Collection; (add.info)

Background imageJohn Martin Collection: Meeting of Jacob and Esau

Meeting of Jacob and Esau
BAL8992 Meeting of Jacob and Esau by Martin, John (1789-1854); Christopher Wood Gallery, London, UK; English, out of copyright



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