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The Old Mill, Ambleside, Cumbria, c. 1822 (oil on canvas)
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The Old Mill, Ambleside, Cumbria, c. 1822 (oil on canvas)
TW427124 The Old Mill, Ambleside, Cumbria, c.1822 (oil on canvas) by Richardson, Thomas Miles (1784-1848); 64.5 x 91.4 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: The Newcastle artist Thomas Miles Richardson painted a small number of Lake District scenes. He showed a painting of this subject in Newcastle in 1822. In this picturesque scene, the buildings are crowded tightly together around the watermill at the edge of the river; ); eTyne & Wear Archives & Museums; English, out of copyright
Media ID 23476866
© Tyne & Wear Archives & Museums / Bridgeman Images
English Landscape Millpond Northern England Rocks Stream
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The Old Mill, Ambleside, Cumbria, c. 1822
EDITORS COMMENTS
is a captivating oil painting by Thomas Miles Richardson that transports viewers to the picturesque town of Ambleside in Northern England during the 19th century. The artwork beautifully captures the essence of this charming English landscape with its quaint houses and rocky surroundings. In this scene, we are drawn to the focal point - an old watermill nestled at the edge of a river. The mill stands proudly amidst tightly packed buildings, creating a sense of community and industry. Its presence signifies both practicality and beauty as it harnesses the power of nature to serve its purpose. Richardson's attention to detail is evident in his skillful brushwork that brings life to every element within the composition. The play of light on the water creates a serene atmosphere while highlighting the textures and colors present in each rock and building. This print from Fine Art Finder allows us to appreciate Richardson's talent even centuries after its creation. It serves as a reminder of our rich artistic heritage and invites us to explore historical landscapes through art. Displayed at Laing Art Gallery in Newcastle-upon-Tyne, UK, "The Old Mill" continues to captivate audiences with its timeless charm and serves as a testament to Richardson's contribution to British art history.
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