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Extract from Christopher Wrens report on the design for the summit of the Monument
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Extract from Christopher Wrens report on the design for the summit of the Monument
KDC384183 Extract from Christopher Wrens report on the design for the summit of the Monument to the Great Fire of London of 1666, 28 July 1675 (pen and ink on paper) by Wren, Christopher (1632-1723); Private Collection; (add.info.: letter to the City of London Planning Committee commending a statue of King Charles II (1630-85) as the most dignified and impressive ornament for the summit; rejected on grounds of expense and replaced by the existing vase of flames; facsimile of manuscript in British Library, Add.MS.18898 f.2.; ); English, out of copyright
Media ID 23548178
© Bridgeman Images
Autograph Commemoration Handwritten Holograph Memorial Signature Signed
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EDITORS COMMENTS
This print showcases an extract from Christopher Wren's report on the design for the summit of the Monument to the Great Fire of London. Created on July 28,1675, this pen and ink masterpiece reveals Wren's vision for a remarkable ornament atop the monument. The extract, now part of a private collection, is a facsimile of Wren's original manuscript held in the British Library. In his report, Wren commends a statue of King Charles II as the most dignified and impressive adornment for the summit. However, despite its grandeur, this proposal was rejected by the City of London Planning Committee due to concerns over cost. Instead, it was replaced by what we see today - an exquisite vase engulfed in flames. Wren's handwriting and autograph add an extra layer of authenticity to this memorial piece. His meticulous attention to detail shines through in every stroke captured within this photograph. This image not only serves as a tribute to one of England's greatest architects but also offers us insight into his creative process and aspirations for commemorating such a significant event in London's history. As we gaze upon this portrait-like drawing that immortalizes Wren's genius and dedication to his craft, we are reminded once again of how art can transcend time and connect us with historical figures who have shaped our world.
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