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Row in the Jungle, 1863 (w / c on paper)
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Row in the Jungle, 1863 (w / c on paper)
780880 Row in the Jungle, 1863 (w/c on paper) by Wolf, Joseph (1820-99); 73x58 cm; Zoological Society of London; (add.info.: The Intruder); eZoological Society of London; German, out of copyright
Media ID 22736122
© Zoological Society of London / Bridgeman Images
Alarm Alarmed Carnivores Creeping Danger Felidae Foliage Intense Gaze Intruder Jungle Macaque Monkey Monkeys Noise Panthera Predator Shrieking Stalking Status Stealth Tiger Tigris Tropical Wild Animal Wild Animals Fear Macaques Ruble
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The captivating print titled "Row in the Jungle, 1863" by Joseph Wolf takes us on a thrilling journey into the heart of nature's untamed wilderness. This stunning watercolor on paper, measuring 73x58 cm, is housed at the Zoological Society of London and showcases Wolf's exceptional talent for capturing wildlife in their natural habitat. In this particular scene, we find ourselves amidst a dense jungle teeming with life. The focus of the composition lies on a group of macaques perched high up in the foliage. Their full-length figures reveal an array of emotions ranging from curiosity to fear as they are interrupted by an unexpected intruder. Amidst this rowdy commotion, our attention is drawn to a stealthy predator lurking beneath them - a majestic tiger. Its intense gaze and poised stance indicate its readiness to strike, causing alarm among both monkeys and viewers alike. Wolf masterfully portrays the contrast between beauty and danger within this tropical landscape. The vibrant colors bring forth every detail - from the lush greenery surrounding these creatures to each hair on their fur standing upright with fear. Through his meticulous brushwork and keen observation skills, Wolf transports us into this moment frozen in time – where shrieking macaques fill the air with noise while wild animals stalk one another under the watchful eyes of nature enthusiasts like ourselves. This extraordinary painting serves as a testament to Joseph Wolf's ability to capture not only physical likeness but also evoke emotion within his subjects. It reminds us that even
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