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Ruins of an Ancient City, c. 1810-20 (oil on paper, mounted on canvas)

Ruins of an Ancient City, c. 1810-20 (oil on paper, mounted on canvas)


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Ruins of an Ancient City, c. 1810-20 (oil on paper, mounted on canvas)

499964 Ruins of an Ancient City, c.1810-20 (oil on paper, mounted on canvas) by Martin, John (1789-1854); 118.5x142 (framed) 95.6x118.6 (unframed) cm; Cleveland Museum of Art, OH, USA; (add.info.: The painting depicts an imagined scene of a ruined ancient city bathed in the nostalgic glow of twilight. The artists detailed, almost archaeological, interest in these Greek or Roman buildings is characteristic of Neoclassicism, although the composition---which plunges suddenly from the foreground into a deep valley---and dramatic lighting are typical of Romantic painting.); Mr. and Mrs. William H. Marlatt Fund; English, out of copyright

Media ID 23238642

© Mr. and Mrs. William H. Marlatt Fund / Bridgeman Images

Classical Landscape Columns Hills Neoclassical Rubble Temples


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> Arts > Art Movements > Landscapes

> Arts > Art Movements > Neoclassicism

> Arts > Artists > G > Juan Gris

> Arts > Artists > M > John Martin

> Arts > Fine Art

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings

> Arts > Photorealistic artworks > Detailed art pieces > Masterful detailing in art

> Arts > Portraits > Landscape paintings > Fine art gallery

> Fine Art Finder > Artists > John Martin

> Fine Art Finder > Artists > Juan Gris

> Fine Art Finder > Classical


EDITORS COMMENTS
This print showcases the "Ruins of an Ancient City" painted by John Martin in the early 19th century. The artwork, created using oil on paper and mounted on canvas, measures 118.5x142 cm when framed and 95.6x118.6 cm without a frame. In this piece, Martin takes us into a mesmerizing world where we witness the remains of a long-lost civilization bathed in the enchanting glow of twilight. The artist's meticulous attention to detail gives these Greek or Roman buildings an almost archaeological quality, reflecting the influence of Neoclassicism during that time period. However, what sets this painting apart is its composition and lighting choices which are more characteristic of Romanticism. As our gaze plunges from the foreground into a deep valley, we are drawn into a sense of awe and wonder at both the grandeur and decay depicted before us. The ruins stand as silent witnesses to history's passage, evoking feelings of nostalgia for what once was while also hinting at stories untold. The majestic mountains surrounding them add to their mystique, creating a dramatic backdrop that further enhances our emotional connection with this imagined scene. Displayed at the Cleveland Museum of Art in Ohio, USA, this artwork is part of Mr. and Mrs. William H. Marlatt Fund collection. Its enduring appeal lies not only in its depiction of ancient architecture but also in its ability to transport viewers back through time to experience both beauty and loss within one frame.

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