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Last Supper, from a facsimile of the Breviary of King Philip II of Spain
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Last Supper, from a facsimile of the Breviary of King Philip II of Spain
REV326683 Last Supper, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment) by Fuente del Saz, Julian (d.1601) & Leon, Andres de (d.1580); Private Collection; (add.info.: La Cene, Breviaire du roi Philippe II d Espagne (1527-98); Felipe; Espagne; parchemin; breviary located at Biblioteca Monasterio El Escorial, Madrid; Bibliotheque du Monastere Royal de l Escorial; Fray Julian de la Fuente del Saz; friar; monk; Escurial; ); Spanish, out of copyright
Media ID 22668636
© Bridgeman Images
Apostle Apostles Benediction Blessing Bread Disciple Disciples Jean John Mannerist Vellum Halo
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EDITORS COMMENTS
This print showcases a remarkable piece of art, "Last Supper" from the facsimile of the Breviary of King Philip II of Spain. Created in 1569 by Julian Fuente del Saz and Andres de Leon, this masterpiece is an exquisite representation of religious devotion during the Renaissance era. The image depicts Jesus Christ surrounded by his apostles and disciples, gathered around a table for their final meal together. The artist's meticulous attention to detail is evident in every stroke, as he captures the solemnity and significance of this sacred moment. The vibrant colors and intricate illuminations on vellum bring life to each figure, emphasizing their individual expressions and gestures. As Jesus blesses bread and wine, symbolizing his body and blood given for salvation, we witness a profound sense of spirituality emanating from this artwork. The halo above Christ's head signifies his divinity while conveying a sense of reverence that permeates throughout the composition. Displayed within the private collection, this facsimile originates from King Philip II's personal breviary housed at Biblioteca Monasterio El Escorial in Madrid. It serves as a testament to both religious devotion and artistic craftsmanship prevalent during that period. This print offers viewers an opportunity to appreciate not only its historical significance but also its aesthetic beauty. It invites us to reflect upon our own beliefs while marveling at the skillful mastery displayed by Fuente del Saz and de Leon in creating such a timeless work of art.
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