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Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)

Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)


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Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)

425510 Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper) by Chikanobu, Toyohara (1838-1912); 35.9 -- 71.6 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: Artist: Toyohara Chikanobu (1838-1912)
Meiji era, 1897
Detail of triptych 7272743); Arthur M. Sackler Gallery, Smithsonian Institution; Robert O. Muller Collection

Media ID 25569386

© Look and Learn / Peter Jackson Collection / Bridgeman Images

109 Oxford Street 14 January 1893 Arthur M Boyd Cape Drum Duffle Eiderdon Frieze Hatterie Henry Heath Japanese Print Japanese Prints Muller Collection Overcoat Panama Rain Robert O Rowing Sackler Gallery Straw Triptych Ulster Waterproof Wave Waves Winter Coat Yachting Adverisements Adverting Advertise Advertisers Advertising Company Advertisment Advertizing Costume Design Fancy Dress Fancy Dress Costume Means Of Conveyance


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EDITORS COMMENTS
This woodblock print, titled "Take no hitofushi, Yaguchi, 1897" by Toyohara Chikanobu takes us back to the Meiji era in Japan. The intricate details and vibrant colors bring this scene to life as we witness a moment of intense action and determination. In the foreground, a man can be seen rowing with all his might in a small boat amidst crashing waves. His strong physique and focused expression reveal his dedication to his task. The rain pours down relentlessly, adding an element of drama and intensity to the composition. The triptych format allows us to glimpse only part of the larger narrative depicted in this artwork. It leaves us curious about what lies beyond the edges of the frame, inviting our imagination to fill in the missing pieces. Chikanobu's skillful use of ink and color on paper creates a sense of movement within stillness. Each brushstroke captures not only the physicality but also the emotional essence of this scene. Displayed at Arthur M. Sackler Gallery in Smithsonian Institution, USA, this print is part of Robert O. Muller Collection which showcases exceptional Japanese prints from various periods. "Take no hitofushi" transports us back to 19th-century Japan where sport meets nature's raw power. It serves as a reminder that even against formidable odds, human strength and resilience prevail.

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