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Yugoslavia: Mostar, Mohammedan Cemetery (b / w photo)

Yugoslavia: Mostar, Mohammedan Cemetery (b  /  w photo)


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Yugoslavia: Mostar, Mohammedan Cemetery (b / w photo)

6018090 Yugoslavia: Mostar, Mohammedan Cemetery (b/w photo) by Hielscher, Kurt (1881-1948); Private Collection; (add.info.: Mostar, Mohammedan Cemetery. Illustration for Jugoslavien, Slovenien, Kroatien, Dalmatien, Montenegro, Herzegowina, Bosnien, Serbien, Landschaft, Baukunst, Volksleben by Kurt Hielscher (Ernst Wasmuth, 1926). Gravure printed.); © Look and Learn

Media ID 25187628

© Look and Learn / Bridgeman Images

Central Mostar Nineteen Twenties Nostalgia Nostalgic South Eastern Yugoslavia Yugoslavian Art Photographer Daguerrotype Hielscher Kurt 1881 1948 Kurt Hielscher Photographing Press Photographer The Photographer


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EDITORS COMMENTS
This print captures the serene beauty of the Mohammedan Cemetery in Mostar, Yugoslavia. Taken by German photographer Kurt Hielscher in the 1920s, this image showcases his artistic talent and keen eye for detail. The cemetery is a solemn resting place for Muslims, with rows of tombstones stretching into the distance. The gravure printing technique used to create this print adds depth and texture to each individual marker, evoking a sense of history and reverence. Hielscher's composition highlights the peaceful atmosphere of the cemetery. The play between light and shadow creates a dramatic effect, emphasizing the tranquility that permeates this sacred space. It invites viewers to reflect on life's transience while appreciating its inherent beauty. This photograph was originally published as an illustration in Hielscher's book "Jugoslavien, Slovenien, Kroatien, Dalmatien, Montenegro, Herzegowina, Bosnien Serbien: Landschaft Baukunst Volksleben". Its inclusion in this publication speaks to its significance as a representation of Yugoslavian culture and history during that time period. As we gaze upon this image today, it serves as a nostalgic reminder of an era long gone but not forgotten. It transports us back to early twentieth-century Europe and allows us to appreciate both Hielscher's artistry and the timeless allure of Mostar's Mohammedan Cemetery.

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