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The Reliquary of Saint Ursula, 1489 (gilded & painted wood)
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The Reliquary of Saint Ursula, 1489 (gilded & painted wood)
490202 The Reliquary of Saint Ursula, 1489 (gilded & painted wood) by Memling, Hans (c.1433-94); Memling Museum, Bruges, Belgium; (add.info.: The reliquary of Ursula was commissioned to Memling by the monastic community of Saint John Hospital, where the saint was the subject of special devotion. The wooden reliquary is made in the form of a chapel with a roof batiere and shows Ursula protecting the virgins, and arriving at Cologne, Basel and Rome.); © Art in Flanders
Media ID 28434826
© Art in Flanders / Bridgeman Images
Flemish Flemish Artist Hans Memling Memling Hans 1433 1494 Pinnacles Protecting Protection Reliquary Shelter Sheltering Shrine Virgins 15th 15 Xv Xvth Fifteenth Century Flemish Art Martyr Northern Renaissance
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EDITORS COMMENTS
This print showcases "The Reliquary of Saint Ursula" by Hans Memling, a renowned Flemish artist of the 15th century. The reliquary was commissioned by the monastic community of Saint John Hospital, where Saint Ursula held a special place of devotion. Crafted from gilded and painted wood, this exquisite piece takes the form of a chapel with an intricately designed roof batiere. The intricate carving depicts scenes from the life of Saint Ursula, particularly her role in protecting virgins during her journey to Cologne, Basel, and Rome. The delicate pinnacles add an architectural touch to this Gothic-inspired artwork. Memling's attention to detail is evident in every aspect of this masterpiece. From the careful rendering of each figure to the meticulous craftsmanship that brings out the beauty and grandeur of wooden sculpture, "The Reliquary of Saint Ursula" stands as a testament to his skill as an artist. This print captures not only the physicality but also the spiritual essence emanating from this relic shrine. It serves as a reminder that art has always been intertwined with faith and devotion throughout history. Displayed at the Memling Museum in Bruges, Belgium, this work continues to inspire awe and admiration for its artistic merit and historical significance within Northern Renaissance art.
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