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Illustration of Eugene Cadel (1867-1940) for the Cover of Le Rire, 1897-7-3 - Italy - Umberto I King Humbert I - Pandora Box

Illustration of Eugene Cadel (1867-1940) for the Cover of Le Rire, 1897-7-3 - Italy - Umberto I King Humbert I - Pandora Box


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Illustration of Eugene Cadel (1867-1940) for the Cover of Le Rire, 1897-7-3 - Italy - Umberto I King Humbert I - Pandora Box

ICA4868987 Illustration of Eugene Cadel (1867-1940) for the Cover of Le Rire, 1897-7-3 - Italy - Umberto I King Humbert I - Pandora Box by Cadel, Eugene (1865-1940); (add.info.: Illustration of Eugene Cadel (1867-1940) for the Cover of Le Rire, 1897-7-3 - Italy - Umberto I King Humbert I - Pandora Box); Photo © Caricadoc

Media ID 24710154

© Caricadoc / Bridgeman Images

Blazon Booklet Casket Coat Of Arm Humbert 1st I 1 I 1844 1900 A Journal Caricadoc


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EDITORS COMMENTS
This print showcases an intriguing illustration by Eugene Cadel for the cover of Le Rire, a renowned French satirical magazine. Created in 1897, this artwork captures the essence of Italy during that time period, specifically focusing on King Umberto I and his connection to Pandora's Box. Eugene Cadel masterfully combines elements of caricature and engraving to depict King Humbert I with great detail. The king is portrayed wearing a distinguished hat adorned with a coat of arms, while his prominent moustache adds an air of authority. Holding a sword in one hand and an open casket labeled "Pandora" in the other, he exudes power and mystery. The composition cleverly references Italian history through the inclusion of symbols such as blazons representing royalty. This intricate portrayal offers viewers a glimpse into both political satire and artistic skill prevalent during this era. Le Rire was known for its witty commentary on social issues through illustrations like these. With its publication date prominently displayed as July 3rd, 1897, this particular issue likely contained articles or stories related to Italy's political landscape at that time. Overall, this print serves as a visual representation of Eugene Cadel's talent in capturing historical figures within satirical contexts. It provides us with valuable insight into the world of late 19th-century French journalism and artistry.

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