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The Marquis of Waterford, The great man of Waterford, 9 August 1879, Vanity Fair cartoon (colour litho)
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The Marquis of Waterford, The great man of Waterford, 9 August 1879, Vanity Fair cartoon (colour litho)
611665 The Marquis of Waterford, The great man of Waterford, 9 August 1879, Vanity Fair cartoon (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: The Marquis of Waterford, The great man of Waterford, 9 August 1879, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection
Media ID 22934106
© Look and Learn / Peter Jackson Collection / Bridgeman Images
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EDITORS COMMENTS
This vibrant and satirical cartoon print, titled "The Marquis of Waterford, The great man of Waterford" captures the essence of 19th-century political caricature. Created by Leslie Matthew Ward, also known as Spy, for Vanity Fair magazine on August 9th, 1879, it offers a scathing satire that reflects the artist's sharp wit and keen observation. In this colorful lithograph, we see the Marquis of Waterford depicted in all his pomp and grandeur. Dressed in lavish attire with an exaggerated top hat and a haughty expression on his face, he embodies the epitome of aristocratic arrogance. The attention to detail is remarkable; every line and brushstroke adds depth to the character's personality. Ward's clever use of humor shines through as he pokes fun at the Marquis' inflated ego and self-importance. This piece serves as a commentary on societal hierarchies and power dynamics prevalent during that era. It invites viewers to question notions of privilege while providing entertainment through its witty portrayal. "The Marquis of Waterford" is not just a mere illustration but rather a window into history—a snapshot capturing both the artist's talent and society's fascination with satire. Its vivid colors draw us into this world where social critique meets artistic brilliance. As part of Fine Art Finder's collection from Bridgeman Images, this print allows us to appreciate Ward's mastery while reflecting upon our own contemporary understanding of class distinctions and political commentary.
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