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San Zanobi raises a boy from the dead (Codice Edili 107, c. 367), for a Roman Missal
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San Zanobi raises a boy from the dead (Codice Edili 107, c. 367), for a Roman Missal
3565259 San Zanobi raises a boy from the dead (Codice Edili 107, c. 367), for a Roman Missal by Maestro Daddesco (fl.c.1320-40); Biblioteca Medicea-Laurenziana, Florence, Italy; (add.info.: Artist: Maestro Daddesco
Date of Artwork: 1350-1399
Location: Florence
Photographer: Microfoto); Alinari Archives, Florence - Reproduced with the permission of Ministero per i Beni e le Attivita Culturali
Media ID 23640692
© Alinari Archives, Florence - Reproduced with the permission of Ministero per i Beni e le Attività Culturali / Bridgeman Images
Aging Bishop Communication And Publicity Fashion And Clothing For Children In Costume Individual Instrument Or Object Late Gothic Mantle Cloak Movable Modern Work Of A Child Of A Group Pastoral Staff Period Physiological And Psychological Aspects Scene Means Of Communication Vegetal Element Or Composition View Of The City Accessory Imam Religious Orders Religious Role Tiara Miter
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EDITORS COMMENTS
This print showcases the artwork titled "San Zanobi raises a boy from the dead" by Maestro Daddesco. Created between 1350 and 1399, this piece is part of a Roman Missal housed in the Biblioteca Medicea-Laurenziana in Florence, Italy. The image depicts a powerful scene from Christian mythology where San Zanobi, a bishop and saint, miraculously brings a deceased child back to life. The artist's attention to detail is evident as he portrays each character with precision and emotion. The composition captures the late Gothic period beautifully, showcasing intricate manuscript illumination and richly adorned religious figures. San Zanobi stands tall in his ornate clerical garments, holding a pastoral staff symbolizing his authority within the church. Surrounded by lush vegetation that adds depth to the scene, this artwork transports viewers back to medieval times. The city of Florence serves as an enchanting backdrop for this miraculous event. Maestro Daddesco's work not only highlights religious themes but also explores physiological and psychological aspects through his portrayal of age and emotions on each face depicted. This print allows us to appreciate both the artistic mastery of Maestro Daddesco and gain insight into medieval communication methods through illuminated manuscripts. It offers an intriguing glimpse into European fashion trends during that era with its depiction of clergy attire such as tiaras and miters worn by priests. Overall, this artwork invites contemplation on faith, miracles, and humanity's eternal quest for spiritual connection.
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