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Frontispiece of a play "L'Isle des Hermaphrodites" ("Island of hermaphrodites") against French king Henri III (1551-1589) and his "mignons" (lovers), engraving

Frontispiece of a play 'L'Isle des Hermaphrodites' ('Island of hermaphrodites') against French king Henri III (1551-1589) and his 'mignons' (lovers), engraving


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Frontispiece of a play "L'Isle des Hermaphrodites" ("Island of hermaphrodites") against French king Henri III (1551-1589) and his "mignons" (lovers), engraving

1761310 Frontispiece of a play "L'Isle des Hermaphrodites" ("Island of hermaphrodites") against French king Henri III (1551-1589) and his "mignons" (lovers), engraving; (add.info.: Frontispiece of a play "L'Isle des Hermaphrodites" ("Island of hermaphrodites") against French king Henri III (1551-1589) and his "mignons" (lovers), engraving); Photo: Tallandier

Media ID 38206466

© Photo: Tallandier / Bridgeman Images

16e Xvie Siecle 16th Century Famille Royale Royal Family Royals


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> Europe > France > Royalty

> Fine Art Finder > Artists > Louis Carrogis Carmontelle


EDITORS COMMENTS
This print captures the frontispiece of a play titled "L'Isle des Hermaphrodites" ("Island of hermaphrodites") depicting French king Henri III (1551-1589) and his "mignons" (lovers). The engraving, dating back to the 16th century, sheds light on the historical context of homosexuality during that era. Henri III, known for his flamboyant lifestyle and close relationships with male courtiers, was often criticized for his unconventional behavior. The play's portrayal of him and his lovers reflects the societal attitudes towards homosexuality in Renaissance France. The intricate details in this engraving showcase the artistic talent of the time while also providing a glimpse into the scandalous affairs of royalty. The elaborate costumes and expressions on the faces of the characters add depth to this historical narrative. As we examine this image, we are reminded of how perceptions of sexuality have evolved over centuries. It serves as a reminder that love knows no boundaries and can transcend societal norms. Overall, this print is not just a visual masterpiece but also a window into a fascinating chapter in French history. It challenges us to reflect on our own beliefs about love, acceptance, and diversity.

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