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Carved Ivory figure of Shou Xing seated with deer, c. 1580-1644 (ivory)
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Carved Ivory figure of Shou Xing seated with deer, c. 1580-1644 (ivory)
451583 Carved Ivory figure of Shou Xing seated with deer, c.1580-1644 (ivory) by Chinese School; height: 18.2 cm; Wolverhampton Art Gallery, West Midlands, UK; (add.info.: Shou Xing, one of the three Chinese star gods. He is the god of longevity, identified by his tall forehead and long flowing beard. The figure holds a scroll with his left hand and is seated with a deer, an animal that is in itself a symbol of long life. ); eWolverhampton Art Gallery; Chinese, out of copyright
Media ID 22400540
© Wolverhampton Art Gallery / Bridgeman Images
Bald Deer Extended Forehead Long Longevity Scroll Bearded Long Life
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EDITORS COMMENTS
This print showcases a beautifully carved ivory figure of Shou Xing, seated gracefully alongside a deer. Created by the Chinese School between 1580 and 1644, this intricate artwork stands at a height of 18.2 cm and is currently housed in Wolverhampton Art Gallery in West Midlands, UK. Shou Xing is one of the revered star gods in Chinese mythology, known as the god of longevity. His distinctive features include a tall forehead and an impressive flowing beard. In this depiction, he holds a scroll with his left hand while being accompanied by a deer – an animal that symbolizes long life. The craftsmanship exhibited in this piece is truly remarkable. The attention to detail can be seen in every aspect, from Shou Xing's bald head and bearded face to the delicate rendering of the deer's form. This sculpture not only exemplifies artistic skill but also carries deep cultural significance. As we gaze upon this image, we are transported back to ancient China where beliefs in celestial deities intertwined with everyday life. The presence of Shou Xing reminds us of our desire for longevity and prosperity while emphasizing our connection with nature through the inclusion of the graceful deer. Through its timeless beauty and symbolic meaning, this Carved Ivory figure serves as both an exquisite work of art and a window into Chinese culture during the 16th to 17th centuries.
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