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The Captivity of the Jews, reconstruction of a wall a painting originally in the Painted Chamber of the Palace of Westminster

The Captivity of the Jews, reconstruction of a wall a painting originally in the Painted Chamber of the Palace of Westminster


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The Captivity of the Jews, reconstruction of a wall a painting originally in the Painted Chamber of the Palace of Westminster

BBC211008 The Captivity of the Jews, reconstruction of a wall a painting originally in the Painted Chamber of the Palace of Westminster by Tristram, Professor Ernest (1892-1952); Palace of Westminster, London, UK; (add.info.: reconstructed from sketches made before they were destroyed;)

Media ID 31712164

© Bridgeman Images

1300s Anti Semitic Captives Chainmail Jewess Jews Late 14th Century Orthodox Jews Persecution Prisoners Xiv Secolo 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century 14 Century C14th Fourteenth Century Jewish Religion The 14th Century Xiv Century Xivth Century


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> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > London > Sights > Palace of Westminster

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Louis Valtat

> Fine Art Finder > Artists > Professor Ernest Tristram

> Fine Art Finder > War & Military Scenes Pre-20th Century


The Captivity of the Jews - A Glimpse into Medieval Persecution

EDITORS COMMENTS
. This print showcases a remarkable reconstruction of "The Captivity of the Jews" originally a wall painting housed in the Painted Chamber of the Palace of Westminster. Created by Tristram, Professor Ernest (1892-1952), this artwork takes us back to the 14th century, offering a poignant glimpse into a dark chapter in history. Intricately reconstructed from sketches made before their destruction, this piece depicts an anti-Semitic scene that reflects the persecution faced by Jewish communities during medieval times. Orthodox Jews are seen as captives, their faces etched with anguish and despair. The presence of a soldier brandishing his sword serves as a chilling reminder of the oppression they endured. The composition is rich in historical detail, showcasing prisoners clad in chainmail and evoking an atmosphere reminiscent of Gothic artistry prevalent during that era. This powerful portrayal sheds light on religious intolerance and highlights how deeply ingrained prejudice can lead to suffering and captivity. Through this photo print, we are transported back centuries ago, prompting reflection on our shared responsibility to promote tolerance and understanding among different faiths today. It stands as both a testament to resilience and a call for unity against discrimination.

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