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Cover of "L Indiscret", number 1, Satirique en N & B, 1904_1_13: Combes Emile (1835-1921), Diable, Pelletan Camille (1846-1915) Illustration by Lourdey (1860-1934)
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Cover of "L Indiscret", number 1, Satirique en N & B, 1904_1_13: Combes Emile (1835-1921), Diable, Pelletan Camille (1846-1915) Illustration by Lourdey (1860-1934)
ICA4943467 Cover of " L Indiscret", number 1, Satirique en N & B, 1904_1_13: Combes Emile (1835-1921), Diable, Pelletan Camille (1846-1915) Illustration by Lourdey (1860-1934) by Lourdey (1860-1934); (add.info.: Cover of " L Indiscret", number 1, Satirique en N & B, 1904_1_13: Combes Emile (1835-1921), Diable, Pelletan Camille (1846-1915) Illustration by Lourdey (1860-1934)); Photo © Caricadoc
Media ID 25170182
© Caricadoc / Bridgeman Images
Devil Identity Journalist A Journal Caricadoc Conversation Journalism Years 1900
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EDITORS COMMENTS
This print showcases the cover of "L'Indiscret" a satirical journal from 1904. The illustration, created by Lourdey, features prominent French figures Combes Emile and Pelletan Camille in a conversation with the devil himself. This engraving perfectly captures the essence of political satire during this time period. The image transports us back to early 20th century France, where caricature was a powerful tool used to critique and comment on societal issues. Through cleverly crafted portraits, artists like Lourdey were able to convey complex ideas and challenge established norms. The composition of this artwork is striking, with its bold lines and intricate details. It serves as a reminder of the power that newspapers held in shaping public opinion during this era. As we gaze at this piece, we are reminded of the rich history behind journalism and how it has evolved over time. This print not only captures an important moment in French history but also highlights the skillful craftsmanship of Lourdey as an engraver. It serves as a testament to his talent for capturing human expression through art. Overall, this image offers us a glimpse into the world of political satire in early 20th century France—a world filled with wit, criticism, and artistic brilliance.
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