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Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub
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Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub
2966875 Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep, pub. 1810 (hand coloured engraving) by Rowlandson, Thomas (1756-1827); Private Collection; (add.info.: Marie Louise, Empress of the French (1791 - 1847); Napoleon Bonaparte (1769 A- 1821); Charles Maurice de Talleyrand-Perigord (1754 - 1838); ); The Stapleton Collection; English, out of copyright
Media ID 22693028
© The Stapleton Collection / Bridgeman Images
Club Foot Cockerel Coronation Chair Coronet Crowns Crutch Hiding Knocked Over Political Satire Rage Raging
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EDITORS COMMENTS
The print titled "Three Weeks after Marriage, or the Great little Emperor playing Bo-Peep" captures a humorous and satirical scene from 1810. In this hand-coloured engraving by Thomas Rowlandson, we witness a playful yet politically charged moment involving three prominent figures of that time. Marie Louise, Empress of the French, Napoleon Bonaparte, and Charles Maurice de Talleyrand-Perigord take center stage in this comical portrayal. The image shows Marie Louise hiding behind a patten shoe while her husband Napoleon frantically searches for her with a crutch in his hand. Meanwhile, Talleyrand looks on with amusement as chaos ensues around them. This political satire is rich with symbolism and clever details. Crowns are knocked over, representing the power struggle between these influential individuals. A gallic cock rouge stands proudly atop the coronation chair, symbolizing France's national pride amidst the turmoil. Rowlandson's expertly crafted caricatures capture each character's distinct personality traits - from Napoleon's raging expression to Talleyrand's mischievous grin. The artist skillfully combines humor and wit to comment on marital dynamics and political tensions during that era. This engraving offers viewers an insightful glimpse into historical events while providing entertainment through its clever visual storytelling. It serves as a reminder that even those in positions of power can be subject to ridicule and satire when their actions warrant it.
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