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Pipewort, Paepalanthus dendroides
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Pipewort, Paepalanthus dendroides
6338474 Pipewort, Paepalanthus dendroides by Stanghi (19th century); (add.info.: Pipewort, Paepalanthus dendroides, Eriocaulon dendroides. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieus Dizionario delle Scienze Naturali, Dictionary of Natural Science, Florence, Italy, 1837. Illustration engraved by Stanghi, drawn and directed by Pierre Jean-Francois Turpin, and published by Batelli e Figli. Turpin (1775-1840) is considered one of the greatest French botanical illustrators of the 19th century.); © Florilegius
Media ID 25184244
© Florilegius / Bridgeman Images
1837 Antoine Laurent De Jussieu Botanical Illustration Copperplate Dictionary Of Natural Science Dizionario Delle Scienze Naturali Edible Pierre Jean Francois Turpin Stanghi Stipple Engraving Vegetable Handcoloured
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This print showcases the intricate beauty of Pipewort, scientifically known as Paepalanthus dendroides. The image, captured by Stanghi in the 19th century, is a handcoloured copperplate stipple engraving from Antoine Laurent de Jussieu's renowned Dizionario delle Scienze Naturali (Dictionary of Natural Science). Published by Batelli e Figli and directed by Pierre Jean-Francois Turpin, this illustration represents the epitome of botanical artistry. Pipewort, also referred to as Eriocaulon dendroides, is depicted in exquisite detail with its delicate structure and vibrant hues. This plant holds significant importance in both botany and natural history studies due to its unique characteristics and potential culinary uses. With its edible nature, Pipewort finds itself at the intersection of science and food. The artist behind this masterpiece, Turpin, is widely regarded as one of the greatest French botanical illustrators of his time. His meticulous attention to detail brings forth an enchanting representation that captivates viewers even centuries later. As we delve into this mesmerizing print from Fine Art Finder's collection curated by Bridgeman Images, we are transported back to Florence in 1837 when this work was first published. Let us appreciate not only the aesthetic appeal but also the scientific significance that lies within this remarkable piece of botanical illustration.
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