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Page of Advertisements (engraving)
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Page of Advertisements (engraving)
1045732 Page of Advertisements (engraving) by English School, (19th century); Private Collection; (add.info.: Page of Advertisements. Illustration for The Graphic, 18 October 1884.); Look and Learn / Illustrated Papers Collection; English, out of copyright
Media ID 22504848
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Addley Bourne Arthur O Faulkner Bloom Of Youth Bridal Trousseaux Browns Oriental Tooth Paste Cucumber Diamonds Enos Fruit Salt Eton Suit Glycerine J G King Jewsbury Louis Velveteen M Beetham Mappin Page Of Advertisements Samuel Brothers Skin Beautifier Sterling Silver Tailors Tar Costume Toilet Requisites Webbs Travelling Bags
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This print showcases a fascinating glimpse into the world of 19th-century advertisements. Titled "Page of Advertisements" this engraving from The Graphic, dated 18 October 1884, offers a rich tapestry of products and services that were prevalent during that era. The image is filled with an array of enticing offerings, ranging from luxurious items to everyday necessities. Glycerine, sterling silver, diamonds, and silver brooches catch the eye with their opulence. Meanwhile, practical goods like webbs travelling bags and toilet requisites cater to the needs of travelers and those seeking personal care. Amongst the intriguing names mentioned are Samuel Brothers, known for their tar costume; Egerton Burnetts' Royal Yacht Serge; M Beetham's skin beautifier; Browne's Oriental Tooth Paste; and Enos Fruit Salt by Arthur O Faulkner. These brands reflect the diverse range of products available at the time. The page also highlights fashion trends such as Eton suits for boys and bridal trousseaux for brides-to-be. Additionally, it features mentions of notable individuals in the industry like J. G King, Addley Bourne Jewsbury & Co. , Louis Velveteen by Addis & Son Ltd. , Mappin & Webb jewelers. This remarkable piece provides a window into an era when advertising was evolving rapidly alongside society itself. It serves as a testament to both our timeless fascination with consumerism and our ever-changing desires as consumers throughout
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