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The Entrance of Alexander III (356-323 BC) the Great into Babylon
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The Entrance of Alexander III (356-323 BC) the Great into Babylon
XIR212827 The Entrance of Alexander III (356-323 BC) the Great into Babylon, Gobelins Workshop (tapestry) by Le Brun, Charles (1619-90) (after); ChAteau de Versailles, France; (add.info.: Alexander the Great before Babylon; ); French, out of copyright
Media ID 22620480
© Bridgeman Images
Chariot City Walls Elephant Entry King Of Macedonia Macedonian Spoils Of War Triumph Triumphant
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The Entrance of Alexander III the Great into Babylon - A Triumph of Power and Conquest
EDITORS COMMENTS
. In this photo print, we are transported back in time to witness a momentous event in history - the grand entrance of Alexander III, famously known as Alexander the Great, into the magnificent city of Babylon. This awe-inspiring tapestry from Gobelins Workshop, skillfully created by Charles Le Brun, beautifully captures the essence of this triumphant occasion. As our eyes wander across the image, we are immediately drawn to the majestic figure of Alexander himself. Mounted on his noble steed and surrounded by his loyal soldiers, he exudes an aura of power and authority. The towering city walls stand as a testament to Babylon's might and splendor while serving as a backdrop for this historic procession. The scene is filled with an array of fascinating details that bring it to life. Elephants march alongside horses, symbolizing both exotic conquests and domestic strength. The spoils of war proudly displayed further emphasize Alexander's dominance over conquered lands. This baroque masterpiece not only showcases artistic brilliance but also serves as a reminder of one man's extraordinary achievements. It encapsulates the spirit of triumph and ambition that defined Alexander's reign as King of Macedonia. Through this remarkable print from Bridgeman Images' collection at Château de Versailles in France, we can immerse ourselves in history and marvel at the magnificence surrounding one man who left an indelible mark on civilization itself.
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