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The beach without a sea: castles in the sand in Bishops Park by the river at Fulham (b / w photo)
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The beach without a sea: castles in the sand in Bishops Park by the river at Fulham (b / w photo)
3637352 The beach without a sea: castles in the sand in Bishops Park by the river at Fulham (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The beach without a sea: castles in the sand in Bishops Park by the river at Fulham. Illustration for Wonderful London by St John Adcock (Fleetway, c 1930). Gravure-printed.); © Look and Learn
Media ID 23126262
© Look and Learn / Bridgeman Images
Fulham Sand Thames 1930 1939 Years 30 30s 1930 1939 Years 30s 19301939 1933 34 Bishops Park Nineteen Thirties Sandcastles
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EDITORS COMMENTS
This photograph captures a nostalgic scene from the early 20th century, titled "The beach without a sea: castles in the sand in Bishops Park by the river at Fulham". The image showcases a crowded riverbank in London, England, where children of all ages are engrossed in building sandcastles. It exudes an atmosphere of joy and innocence as boys and girls play together on this makeshift beach. Taken by an English photographer, this historic print offers a glimpse into childhood during the 1920s or 1930s. The composition beautifully frames the Thames River flowing peacefully behind them, adding to the charm of this idyllic setting. The photo's monochromatic aesthetic adds a timeless quality to its appeal. Every detail is captured with precision through gravure printing techniques that were popular during that era. This particular print was featured as an illustration for St John Adcock's book "Wonderful London" published around 1930. As we observe these young builders immersed in their imaginative world, it reminds us of simpler times when playing outdoors was paramount to childhood enjoyment. This image not only documents history but also evokes feelings of nostalgia and longing for carefree days gone by. With its rich historical context and artistic merit, this photograph serves as both a visual record of British culture and a testament to the enduring power of photography as an art form.
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