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The Insults offered to Prisoners, an episode in 1211 during the Albigensian
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The Insults offered to Prisoners, an episode in 1211 during the Albigensian
694818 The Insults offered to Prisoners, an episode in 1211 during the Albigensian Crusade (engraving) by Maignan, Albert Pierre Rene(1845-1908) (after); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: The Albigensian (also known as Cathar) Crusade (1209-1229) was a 20-year military campaign initiated by Pope Innocent II but chiefly carried out by the French crown with the purpose of eliminating Catharism in Languedoc, in the south of France; engraving made after a picture shown in the Paris Salon of 1875; L Insulte aux prisonniers, episode de la croisade contre les Albigeois en 1211; ); French, out of copyright
Media ID 23543928
© Bridgeman Images
Albigensian Cathar Crusade Crusades Insult Insulting Insults Prisoners Taunting Wars
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The Insults offered to Prisoners, an episode in 1211 during the Albigensian Crusade
EDITORS COMMENTS
. This engraving by Albert Pierre Rene Maignan takes us back to a tumultuous chapter in history - the Albigensian Crusade of the 13th century. The image depicts a poignant scene from this brutal conflict that aimed to eradicate Catharism in southern France. In this powerful artwork, we witness prisoners of war subjected to unimaginable insults and taunting. Their faces bear expressions of anguish and despair as they endure the cruelty inflicted upon them. The artist's attention to detail is remarkable, capturing every nuance of emotion etched on their faces. The composition draws our eyes towards the central figures, highlighting their vulnerability amidst a chaotic backdrop. The intricate engravings bring forth a sense of movement and intensity, reflecting the harsh realities faced by those caught up in religious conflicts during medieval times. Maignan's piece serves as both a historical document and a reminder of mankind's capacity for cruelty. It invites contemplation on themes such as power dynamics, religious intolerance, and human suffering. Displayed at the Paris Salon in 1875, this engraving continues to captivate viewers with its evocative portrayal of one episode within an extensive campaign that spanned over two decades. As we gaze upon this print today, it prompts us to reflect on past atrocities while urging us towards empathy and understanding in our present world.
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