L Assiette au Beurre, number 71, Satirique en couleurs, 1902_8_9: Fine Arts (lithograph)

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L Assiette au Beurre, number 71, Satirique en couleurs, 1902_8_9: Fine Arts (lithograph)

ICA4879089 L Assiette au Beurre, number 71, Satirique en couleurs, 1902_8_9: Fine Arts (lithograph) by Cadel, Eugene (1865-1940); (add.info.: L Plate au beurre, number 71, Satirique en couleurs, 1902_8_9: Fine Arts - Illustration by Eugene Cadel (1867-1940)); Photo © Caricadoc

Media ID 24675220

© Caricadoc / Bridgeman Images

Blowjob Derision Goalkeeper Hygiene Relaxation Smoker Toilet Caricadoc Metier Years 1900

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> Fine Art Finder > Artists > Eugene Cadel

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EDITORS COMMENTS
This lithograph, titled "L'Assiette au Beurre, number 71, Satirique en couleurs" offers a glimpse into the world of French satire in the early 20th century. Created by Eugene Cadel in 1902, this fine arts print showcases his talent for illustration and storytelling. The image depicts a scene filled with intriguing details and social commentary. In the foreground, we see a man engrossed in reading while donning goalkeeper attire—a symbol of protection against societal challenges. Behind him stands an engraving depicting various human activities such as smoking and relaxation. The artist's use of color adds vibrancy to the composition, drawing our attention to each element within the frame. The museum setting suggests that these satirical illustrations were not only meant for entertainment but also held cultural significance during that time period. Cadel's work reflects on themes like labor, hygiene, and even toilet humor—elements that were prevalent in French society at the turn of the century. Through derision and caricature, he sheds light on certain professions or metiers while subtly critiquing societal norms. This particular lithograph is part of Bridgeman Images' collection from Fine Art Finder—an invaluable resource for art enthusiasts seeking historical context through visual representations. It serves as a testament to Cadel's artistic prowess and his ability to capture both wit and critique within one frame.

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