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Death standing on a sarcophagus where the dead Pope and the Emperor lie, detail from the Triumph of Death and Dance of Death, 1485 (fresco)
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Death standing on a sarcophagus where the dead Pope and the Emperor lie, detail from the Triumph of Death and Dance of Death, 1485 (fresco)
2655015 Death standing on a sarcophagus where the dead Pope and the Emperor lie, detail from the Triumph of Death and Dance of Death, 1485 (fresco) by Borlone de Buschis, Giacomo (fl.1462-1485); Oratorio dei Disciplini, Clusone, Bergamo, Italy; (add.info.: Clusone, Oratory of Disciplini or St. Bernardino, facade: frescoes with the Triumph of Death on the top and a Dance of Death (Macabre Dance) in the lower register (1485). All the frescoes are by Giacomo Borlone De Buschis.Detail of the Triumph of Death standing on a sarcophagus where the dead Pope and the Emperor lie. Theay are surrounded by serpents, scorpions and toads (symbols of pride and sudden death). Death hold big scrolls to remind everyone that Life is not everlasting.); Ghigo Roli
Media ID 25175014
© Ghigo Roli / Bridgeman Images
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EDITORS COMMENTS
This print captures a hauntingly powerful scene from the frescoes of the Oratorio dei Disciplini in Clusone, Italy. Painted by Giacomo Borlone de Buschis in 1485, this detail from the Triumph of Death and Dance of Death showcases Death standing on a sarcophagus where the dead Pope and Emperor lie. Surrounded by serpents, scorpions, and toads - symbols of pride and sudden death - Death holds large scrolls as a reminder that life is not everlasting. The imagery evokes a sense of mortality and serves as a poignant memento mori. The composition's intricate details draw viewers into its macabre narrative. The juxtaposition of power figures such as the Pope and Emperor lying lifeless beneath Death's feet challenges traditional notions of authority and immortality. Borlone de Buschis' skillful use of light and shadow adds depth to this chilling depiction. The play between darkness and illumination enhances the eerie atmosphere, emphasizing both the inevitability and universality of death. This print allows us to appreciate not only the artistry but also reflect on our own mortality. It serves as a striking reminder that even those who hold great power are ultimately subject to death's embrace. As we gaze upon this image, we are confronted with our own transience in an ever-changing world – an invitation to contemplate what truly matters during our brief existence.
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