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Painted clay figure traditionally identified as David Garrick, c. 1770 (ceramic)

Painted clay figure traditionally identified as David Garrick, c. 1770 (ceramic)


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Painted clay figure traditionally identified as David Garrick, c. 1770 (ceramic)

3745797 Painted clay figure traditionally identified as David Garrick, c.1770 (ceramic) by Tan-Che-Qua (c.1728-96); height: 47 cm; Private Collection; (add.info.: David Garrick (19 February 1717 - 20 January 1779), English actor, playwright, theatre manager and producer. The realistically modelled figure standing in relaxed pose, leaning on his left arm against a gnarled pine tree dotted with lichen, looking forward with a confident direct gaze, and wearing a real-hair wig and a simulated silver-blue banyan resembling embroidered silk over a grey-blue waistcoat with gold-brocaded fringe and buttons, partially open to reveal a shirt gathered at a high collar, the buckled black shoes with gold embroidered black stockings, the rusticated ground of greyish-green colour within a fretwork border, head detachable, minor restoration, now in a glazed case. ); Photo eChristies Images; Chinese, out of copyright

Media ID 22311728

© Christie's Images / Bridgeman Images

Casual Ceramics David Garrick Dramatist Dramatists Figurine Figurines Hand On Hip Leaning Playwright Playwrights Relaxed Statuette


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EDITORS COMMENTS
This print showcases a painted clay figure that is traditionally identified as David Garrick, the renowned English actor and playwright of the 18th century. Created around 1770 by Tan-Che-Qua, a Chinese artist known for his exceptional sculptures, this ceramic masterpiece stands at an impressive height of 47 cm. The figure exudes an air of confidence and relaxation as he leans against a gnarled pine tree adorned with lichen. With a direct gaze and realistic modeling, it seems as though Garrick himself has been brought to life in this artwork. He is depicted wearing a real-hair wig and an intricately designed silver-blue banyan that resembles embroidered silk. The attention to detail extends to his grey-blue waistcoat with gold-brocaded fringe and buttons, partially open to reveal a high-collared shirt. Every aspect of this sculpture reflects the Georgian era's fashion sensibilities, from the buckled black shoes with gold-embroidered stockings to the rusticated ground in shades of greyish-green within a fretwork border. The head can be detached if desired, showcasing minor restoration work on this remarkable piece. Now housed in a glazed case within a private collection, this photograph allows us to appreciate the artistry behind Tan-Che-Qua's creation. It serves as both homage to David Garrick's theatrical legacy and testament to the skillful craftsmanship of Chinese ceramics during that period.

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