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Puggs Graces etched from his original drawings, 1753 (etching)
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Puggs Graces etched from his original drawings, 1753 (etching)
XJF863060 Puggs Graces etched from his original drawings, 1753 (etching) by Sandby, Paul (1725-1809); Private Collection; (add.info.: Satire on Hogarths Analysis of Beauty, his pretensions and resistence to plans for a national academy rivaling his own in St Martins Lane.
His hind half is that of a pug (reference to his own Trump) seated at an easel painting " Pharaohs Daughter." for the Foundling Hospital.); English, out of copyright
Media ID 12939844
© www.bridgemanimages.com
Academy Aesthetics Analysis Burlesque Critical Criticism Foundling Hospital Palate Pretension Taste Theory Three Graces William Hogarth
EDITORS COMMENTS
This print titled "Puggs Graces etched from his original drawings, 1753" by Paul Sandby is a satirical masterpiece that delves into the world of art and aesthetics. The image serves as a biting critique on William Hogarth's Analysis of Beauty and his resistance to the establishment of a national academy that could rival his own. In this cleverly crafted etching, we see Puggs Graces, a figure with the hind half of a pug (a reference to Hogarth's own pet), seated at an easel. With great irony, Puggs is depicted painting "Pharaoh's Daughter" for the Foundling Hospital. This playful juxtaposition highlights Hogarth's pretentiousness and mocks his artistic endeavors. The artist skillfully incorporates elements such as satire, cartooning, caricature, and burlesque to convey the underlying message. The use of line and composition adds depth to this visual commentary on art theory and criticism. Through this artwork, Sandby challenges notions of taste and aesthetic judgment while shedding light on the power dynamics within the art world. It invites viewers to question established norms in favor of embracing new perspectives. This thought-provoking piece captures not only its historical context but also resonates with contemporary discussions surrounding artistic expression and institutional authority. Its timeless relevance makes it an invaluable addition to any collection or exhibition dedicated to exploring the multifaceted nature of art itself.
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