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The Jetty at Cassis, Opus 198, 1889 (oil on canvas)

The Jetty at Cassis, Opus 198, 1889 (oil on canvas)


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The Jetty at Cassis, Opus 198, 1889 (oil on canvas)

3432933 The Jetty at Cassis, Opus 198, 1889 (oil on canvas) by Signac, Paul (1863-1935); 46.4x65.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: near Marseilles); French, out of copyright

Media ID 18261007

© Metropolitan Museum of Art, New York, USA / Bridgeman Images

Divisionism Divisionist Mediterranean Neo Impressionism Neo Impressionist Neoimpressionism Neoimpressionist Pointillism Pointillisme Pointillist Pointilliste Post Impressionism Sand Post Impressionist


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The Jetty at Cassis, Opus 198,1889

EDITORS COMMENTS
is a mesmerizing oil on canvas painting by French artist Paul Signac. This artwork, measuring 46.4x65.1 cm, can be found in the prestigious Metropolitan Museum of Art in New York City. The scene depicted in this neo-impressionist masterpiece takes us to the charming village of Cassis near Marseilles, France. The jetty extends gracefully into the sparkling Mediterranean Sea, inviting viewers to imagine themselves strolling along its wooden planks and feeling the warm sand beneath their feet. Signac's use of pointillism and divisionism techniques adds depth and vibrancy to the composition. Each brushstroke meticulously placed with tiny dots creates an optical effect that enhances the luminosity of both sea and sky. This post-impressionist gem captures the essence of a sunny summer day on the coast. The vibrant colors evoke a sense of joy and tranquility as we admire the picturesque harbor filled with boats gently swaying in harmony with nature's rhythm. "The Jetty at Cassis" transports us to a moment frozen in time—a serene oasis where land meets sea—a place where one can escape from everyday life and find solace amidst nature's beauty. As we gaze upon this exquisite painting, we are reminded of Signac's mastery as well as his ability to capture not only physical landscapes but also emotions that resonate within our souls. It serves as a timeless reminder that art has no boundaries—it transc

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