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Nude in the corners of the ceiling of the Room of Polyphemus, 1550-1551 (fresco)
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Nude in the corners of the ceiling of the Room of Polyphemus, 1550-1551 (fresco)
2655123 Nude in the corners of the ceiling of the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi, Room of Polyphemus: vault with episodes of the Odyssey. Detail of one out of the four figures of nudes in the corners of the ceiling.); Ghigo Roli
Media ID 25147494
© Ghigo Roli / Bridgeman Images
Bare Bologna Cyclope Emilia Romagna Greek Myth Mannerism Nudo Odyssey Pellegrino Tibaldi Polyphemus Rinascimento Ulysses Semi Nude
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EDITORS COMMENTS
This fresco, titled "Nude in the corners of the ceiling of the Room of Polyphemus" transports viewers to a bygone era, immersing them in the rich mythology and artistic brilliance of 16th-century Italy. Created by Pellegrino Tibaldi, a renowned artist of the Renaissance period, this masterpiece adorns the Palazzo Poggi in Bologna. The artwork depicts one out of four figures positioned at each corner of the ceiling within the Room of Polyphemus. As part of a larger vault showcasing episodes from Homer's Odyssey, this particular detail captures our attention with its sensuous portrayal and exquisite mannerism. Tibaldi expertly brings to life an iconic moment from Greek myth as he portrays Polyphemus, the cyclops encountered by Ulysses during his epic journey. The nude figure exudes strength and vulnerability simultaneously, emphasizing both power and humanity. With masterful brushstrokes and meticulous attention to detail, Tibaldi creates a harmonious balance between light and shadow that accentuates every curve and contour. As we gaze upon this remarkable fresco print captured by Ghigo Roli for Bridgeman Images' Fine Art Finder collection, we are transported back in time to witness firsthand Tibaldi's genius. This piece exemplifies not only his technical skill but also his ability to convey emotion through art. Immerse yourself in this extraordinary work that embodies both classical mythology and Renaissance aesthetics—a testament to Tibaldi's enduring legacy as one of
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