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Recumbent youth posed nude, except for his hose pulled down to his ankles

Recumbent youth posed nude, except for his hose pulled down to his ankles


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Recumbent youth posed nude, except for his hose pulled down to his ankles

CTS404702 Recumbent youth posed nude, except for his hose pulled down to his ankles (red chalk on paper) by Carracci, Annibale (1560-1609); 22.6x38 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright

Media ID 22377582

© Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images

Muscular Reclining Undressed


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EDITORS COMMENTS
This print showcases Annibale Carracci's "Recumbent youth posed nude, except for his hose pulled down to his ankles". The red chalk on paper medium adds a sense of depth and texture to the artwork. Measuring 22.6x38 cm, this piece is part of The Devonshire Collections at Chatsworth. Carracci masterfully captures the beauty and vulnerability of the human form in this study drawing from the 16th or 17th century. The reclining figure exudes strength and grace, with every muscle meticulously rendered by the artist's skilled hand. Despite being undressed, there is an air of modesty surrounding the subject as he lies in repose. The use of nudity in art has long been a symbol of artistic expression and exploration throughout history. In this particular work, Carracci explores themes such as masculinity, sensuality, and physicality during the Renaissance period. As we delve into this exquisite print, we are transported back to a time when artists sought to capture not only external beauty but also inner emotions through their creations. Carracci's attention to detail allows us to appreciate both the technical skill involved in creating such a lifelike representation and the emotional impact it evokes within us. Reproduced by permission from Chatsworth Settlement Trustees via Bridgeman Images, this print offers viewers an opportunity to admire one of Carracci's remarkable works while contemplating its significance within art history.

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