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Femme couronnee, a double visage, debout sur un animal monstrueux, qui brandit une coupe et un serpent - Frontispice du recueil De Alchimia opvscvla complvra vetervm philosophorum (Ouvrage d alchimie d')
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Femme couronnee, a double visage, debout sur un animal monstrueux, qui brandit une coupe et un serpent - Frontispice du recueil De Alchimia opvscvla complvra vetervm philosophorum (Ouvrage d alchimie d')
FIA5391229 Femme couronnee, a double visage, debout sur un animal monstrueux, qui brandit une coupe et un serpent - Frontispice du recueil De Alchimia opvscvla complvra vetervm philosophorum (Ouvrage d alchimie d apres les philosophes antiques) de Cyriacus Jacob (actif 1543-1550), gravure et aquarelle, 1550 - (Frontispiece of De Alchimia opvscvla complvra vetervm philosophorum, Woodcut, watercolour by C.Jacob, 1550) - Yale University, New Haven (USA) by Unknown Artist, (16th century); Yale University, New Haven, CT, USA; Photo © Fine Art Images
Media ID 24677130
© Fine Art Images / Bridgeman Images
Alchemy Dragon Dual Personality Frontispiece Identity Reptiles Tawny Woman Symbol Monster Serpent Snakes
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This print showcases the frontispiece of "De Alchimia opvscvla complvra vetervm philosophorum" an ancient alchemy book by Cyriacus Jacob. The artwork, created in 1550, features a crowned woman with a double face standing on top of a monstrous animal. In her hands, she proudly holds a cup and a serpent. The engraving is rich in symbolism and mystery. The woman's dual personality suggests the complexity of human nature, while her crown signifies power and authority. The monstrous animal beneath her represents untamed forces or hidden desires that she has conquered. The presence of the cup symbolizes transformation and spiritual enlightenment often associated with alchemy. Meanwhile, the serpent embodies wisdom, rebirth, and temptation. The intricate details of this woodcut are brought to life through delicate watercolor touches. Each stroke adds depth to the image's vibrant colors. This remarkable piece from the 16th century offers us a glimpse into the world of alchemy and its enigmatic practices. It invites contemplation about identity, duality, and our relationship with both nature and ourselves. Yale University in New Haven preserves this extraordinary artwork as part of its collection—a testament to its historical significance in German art history.
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