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Poster for the Fossiles, piece of theatre by Francois Curel (1854-1928), represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing a family by the sea
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Poster for the Fossiles, piece of theatre by Francois Curel (1854-1928), represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing a family by the sea
YOU4419043 Poster for the Fossiles, piece of theatre by Francois Curel (1854-1928), represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing a family by the sea, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nairie ilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae. by Ibels, Henri-Gabriel (1867-1936); (add.info.: Poster for the Fossiles, piece of theatre by Francois Curel (1854-1928), represented in 1892 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration in lithography by Henri Gabriel Ibels (1867-1936) showing a family by the sea, in Les Programmes illustres et des cafes concerts, by Ernest Maindron, Librairie Nairie ilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.); © Kim Young Tae. All rights reserved 2022
Media ID 25255952
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EDITORS COMMENTS
This lithographic illustration by Henri Gabriel Ibels transports us to the world of theatre in 19th-century Paris. The print depicts a poster for the play "Fossiles" written by Francois Curel and performed at the Free Theatre, established by Andre Antoine. The artwork showcases Ibels' mastery of lithography, with intricate details and delicate lines that bring life to the scene. In the foreground, we see a family enjoying their time by the sea, capturing a moment of leisure amidst their busy lives. The figures are beautifully rendered, each expressing their own unique personality through subtle gestures and expressions. The composition is balanced and harmonious, with soft hues evoking a sense of tranquility. The sea stretches out behind them, its waves gently crashing against the shore. This serene backdrop serves as a metaphorical reflection of both nature's timeless beauty and the fleeting nature of human existence. As we delve into this historical piece through Ernest Maindron's publication "Les Programmes illustres et des cafes concerts" we are reminded not only of the artistic brilliance displayed in this lithograph but also of its cultural significance within Parisian society during that era. Kim Young Tae's photography allows us to appreciate every intricate detail captured in this print while preserving its essence for future generations to admire. Through his lens, we can experience firsthand how art transcends time and continues to inspire awe even over a century later.
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