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Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
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Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908753 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr. to); 330x380 cm; Monasterio del Escorial, Madrid, Spain; (add.info.: Anunciation (La Anunciacion).
Second tapestry in the series. Model Colin de Cooter (?). Manufacture Pieter van Aelst (or van Edingen), Brussels. Origin The collection of Joanna of Castile. Exhibition Halls of Honour, together with the other three pieces of the set to which it belongs, called the Golden Cloths. National Heritage (Patrimonio Nacional) inv 10014829. San Lorenzo de El Escorial, Madrid, Spain); Photo © Maeyaert/AIC
Media ID 31715102
© Maeyaert/AIC / Bridgeman Images
1500 Anunciation Appcultura Biblical Figure Brooch Decorative Arts Early Modern Era Embroidery Flemish Flemish Artist Flemish Style Madrid Autonomous Community San Lorenzo De El Escorial Tapestrey Tapestries Western Art Biblical Charcter Flemish Art
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EDITORS COMMENTS
This print showcases the "Triumphs of the Mother of God or Panos de Oro" a remarkable tapestry created by Coecke van Aelst in the early 16th century. Measuring an impressive 330x380 cm, this piece is housed in the Monasterio del Escorial in Madrid, Spain. The tapestry depicts a scene known as the Anunciation (La Anunciacion), which is part of a larger series. Modelled after Colin de Cooter and manufactured by Pieter van Aelst from Brussels, this exquisite artwork was originally owned by Joanna of Castile. Displayed alongside three other pieces called the Golden Cloths, this tapestry can be found in the Exhibition Halls of Honour at San Lorenzo de El Escorial. The National Heritage has recognized its significance and it bears inventory number 10014829. The image captured here beautifully portrays intricate details such as embroidery, jewelry, and clothing that reflect Flemish style during the Renaissance era. It also highlights religious themes from Christianity's New Testament with Jesus Christ being central to this particular scene. With its vibrant colors and meticulous craftsmanship, this tapestry exemplifies both artistic excellence and devotion to faith. Its presence serves as a testament to Western art's rich history while offering viewers an opportunity to immerse themselves in biblical narratives brought to life through textiles.
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