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Eloy Alfaro (1842-1912) est observe par cinq politiciens progressistes dans le palais de la liberte, tandis que l'allegorie de la democratie, avec ses chiens Loi et Ordre, empechent l'arrivee de politiques et economistes malvenus - ENDARA
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Eloy Alfaro (1842-1912) est observe par cinq politiciens progressistes dans le palais de la liberte, tandis que l'allegorie de la democratie, avec ses chiens Loi et Ordre, empechent l'arrivee de politiques et economistes malvenus - ENDARA
AIS5332856 Eloy Alfaro (1842-1912) est observe par cinq politiciens progressistes dans le palais de la liberte, tandis que l'allegorie de la democratie, avec ses chiens Loi et Ordre, empechent l'arrivee de politiques et economistes malvenus - ENDARA, Carlos Manuel (1827 - 1924). The Republic of Ecuador in 1860 foretold. 1900. (76 x 105 cm). . Eloy Alfaro (with hat), future prime minister, observed five progressive politicians in the Palace of Freedom (the Nation), while the American Ideal (allegory of democracy) restrains the political and economic ""guests dangerous"" with the dogs of Law and Order. Oil on canvas. ECUADOR. PICHINCHA. Quito. Aurelio Espinosa Polit Ecuadorian Library ©Rotger/AIC/Leemage; Photo © Rotger/AIC
Media ID 38280836
© Photo © Rotger/AIC / Bridgeman Images
Economics Latin America Opposition Republic Woman (symbol)
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EDITORS COMMENTS
This print captures a significant moment in Ecuadorian history, depicting Eloy Alfaro being observed by five progressive politicians in the Palace of Freedom. The scene is filled with symbolism, as the allegory of democracy, represented by American Ideal, stands guard with her dogs Law and Order to prevent the entry of unwelcome political and economic figures.
Eloy Alfaro, wearing his distinctive hat, is portrayed as a future prime minister who embodies the ideals of progressivism. The painting foretells the Republic of Ecuador in 1860 and serves as a powerful commentary on politics and governance during that era.
The intricate details in this artwork showcase not only the political landscape but also elements of architecture and landscape characteristic of Ecuador. The artist has skillfully captured the tension between opposing forces through symbolism such as the dogs representing law and order restraining those deemed dangerous to democracy.
Overall, this painting offers a rich tapestry of historical context and social commentary that invites viewers to reflect on power dynamics, governance structures, and societal values prevalent during Eloy Alfaro's time. It serves as a reminder of the complexities inherent in political systems and highlights the enduring relevance of democratic principles.
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