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Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century
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Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century
PCT4271857 Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.; (add.info.: Hair cutter in a village of Auvergne in the 19th century. Poor peasants sell their hair, which will be used to make hairpieces and wigs for the rich elegantes of the city. Engraving of the Universal Museum, 19th century.); Photo © Gusman
Media ID 38323626
© Photo © Gusman / Bridgeman Images
EDITORS COMMENTS
This print captures a scene from the 19th century in a village of Auvergne, where poor peasants are seen selling their precious hair. The image depicts a hair cutter carefully snipping away at the locks of these impoverished individuals, who have resorted to this desperate measure in order to make ends meet.
During this time period, it was not uncommon for the wealthy elite to purchase these harvested strands of hair to create elaborate hairpieces and wigs for themselves. The stark contrast between the poverty of the villagers and the opulence of those who would ultimately benefit from their sacrifice is strikingly evident in this engraving from the Universal Museum.
The young woman featured in the image serves as a poignant reminder of the harsh realities faced by those living on the fringes of society during this era. Her expression is one of resignation, yet there is also a sense of quiet dignity that shines through despite her circumstances.
As we gaze upon this historical artifact, we are reminded of the inequalities that have long existed within our social structures. It serves as a powerful testament to both human resilience and exploitation, capturing a moment in time when beauty was commodified at great cost to those who could least afford it.
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