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Cover of " The Pilori", Satirique en Couleurs, 1888_1_15: Les deux comperes - President of the Republic, Scandale des decorations - Grevy Jules, Wilson Daniel - Illustration by J. Blasss (1847-1892)
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Cover of " The Pilori", Satirique en Couleurs, 1888_1_15: Les deux comperes - President of the Republic, Scandale des decorations - Grevy Jules, Wilson Daniel - Illustration by J. Blasss (1847-1892)
ICA4862938 Cover of " The Pilori", Satirique en Couleurs, 1888_1_15: Les deux comperes - President of the Republic, Scandale des decorations - Grevy Jules, Wilson Daniel - Illustration by J. Blasss (1847-1892) by Blass, J. (Douat, Albert called) (1847-1892); (add.info.: Cover of " The Pilori", Satirique en Couleurs, 1888_1_15: Les deux comperes - President of the Republic, Scandale des decorations - Grevy Jules, Wilson Daniel - Illustration by J. Blasss (1847-1892)); Photo © Caricadoc
Media ID 32104888
© Caricadoc / Bridgeman Images
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EDITORS COMMENTS
This print showcases the cover of "The Pilori" a satirical magazine from 1888. The illustration, created by J. Blasss (1847-1892), depicts a scene titled "Les deux comperes - President of the Republic, Scandale des decorations - Grevy Jules, Wilson Daniel". In this artwork, we witness a humorous portrayal of two companions engaged in scandalous activities. The central figure represents the President of the Republic during that time period, while his partner is none other than Grevy Jules, involved in a scandal regarding decorations. The artist's skillful use of colors and details brings these characters to life. J. Blasss' talent shines through as he captures the essence of satire with precision and wit. Through this illustration, he cleverly highlights political scandals and social commentary prevalent during late 19th-century France. The image is part of Bridgeman Images' collection and was photographed by Caricadoc. It offers viewers an intriguing glimpse into French history and European society at that time. As we delve into this photo print, we are transported back to an era where political cartoons were powerful tools for expressing dissenting opinions and shedding light on societal issues. This artwork serves as both a historical artifact and a testament to the enduring power of visual storytelling.
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