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A serious gentleman as owns a factory, 1840 (engraving)
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A serious gentleman as owns a factory, 1840 (engraving)
3744589 A serious gentleman as owns a factory, 1840 (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration of a factory owning evangelist welcoming ragged childen at the door of a Sunday School from Life and Adventures of Michael Armstrong: Factory Boy by Frances Trollope, mother of Anthony.
After visiting factories in Northern England and being horrified by the abuses she saw there, Fanny wrote to alert people to the evils of the system. ); English, out of copyright
Media ID 22311868
© Bridgeman Images
Adventures Evangelism Evangelist Fanny Ironic Irony Labor Owner Preacher Preaching Protestant Ragged Virtue Teaching Trollope
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EDITORS COMMENTS
This engraving, titled "A serious gentleman as owns a factory, 1840" transports us back to the heart of England's industrial revolution. The image showcases a thought-provoking scene from Frances Trollope's novel, "Life and Adventures of Michael Armstrong: Factory Boy". In this powerful illustration, we witness an unexpected juxtaposition between wealth and poverty. The central figure is a stern-looking gentleman who embodies both authority and contradiction. As the owner of the factory, he represents prosperity and success in Victorian society. However, what makes this portrayal intriguing is his role as an evangelist welcoming ragged children at the door of a Sunday School. This stark contrast highlights the irony within societal norms during that era. Frances Trollope was deeply moved by her visits to Northern English factories where she witnessed firsthand the harsh realities faced by child laborers. Determined to expose these injustices, she wrote passionately about them in her book. Through this engraving, we are reminded of her tireless efforts to shed light on the evils perpetuated by industrialization. The image evokes emotions ranging from sympathy for the impoverished children to curiosity about how religion intersects with social class dynamics. It serves as a poignant reminder that even those who appear virtuous may be complicit in systems that exploit others. Bridgeman Images has beautifully preserved this historical artwork for us to reflect upon our past and contemplate its relevance today – reminding us that art can be both aesthetically pleasing and socially conscious.
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