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Polyptych of the Misericordia: The Three Maries, 1445-1460 (painting on wood)
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Polyptych of the Misericordia: The Three Maries, 1445-1460 (painting on wood)
LRI4684786 Polyptych of the Misericordia: The Three Maries, 1445-1460 (painting on wood) by Francesca, Piero della, (c.1415-92) (school of); Pinacoteca, Sansepolcro, Italy; (add.info.: The Three Maries at the Polyptic sepulchre of Misericorde. Painting on wood from the school of Piero della Francesca (1415/20-1492) 1445-1460 Dim. 273x323 cm Sansepolcro, Pinacoteca Comunale); Luisa Ricciarini
Media ID 25148466
© Luisa Ricciarini / Bridgeman Images
Crypts Grave High And Late Renaissance Jesus Chirst Life Of Jesus Sepulchre Three Maries Three Marys Tomb Stones Tombs Tombstones Aureole Bible Story Biblical Scene Early Xv Century Late Xv Century Quattrocento Renaissance Time
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EDITORS COMMENTS
This print showcases the "Polyptych of the Misericordia: The Three Maries" a remarkable painting on wood created by Francesca, Piero della in the mid-15th century. Housed in the Pinacoteca Comunale in Sansepolcro, Italy, this masterpiece is a testament to Renaissance artistry and religious devotion. The polyptych depicts a biblical scene featuring three Marys at the sepulcher of Misericorde. With its impressive dimensions of 273x323 cm, it commands attention and invites viewers into its sacred narrative. The delicate brushstrokes and vibrant colors bring to life an angelic aura surrounding these holy figures. As we delve into this artwork's rich symbolism, we are transported back to a time when Christianity played an integral role in people's lives. The tombstones and crypts remind us of our own mortality while emphasizing the significance of Jesus Christ's resurrection. Luisa Ricciarini skillfully captures every intricate detail through her lens, allowing us to appreciate not only the technical mastery but also the emotional depth conveyed by this piece. Through her photography, she preserves this slice of history for future generations to admire. This print serves as a window into both art history and religious devotion during the Italian Quattrocento period. It reminds us that even centuries later, these timeless themes continue to inspire awe and contemplation within our souls.
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