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Study for an Angel in The Sorrowful Mysteries

Study for an Angel in The Sorrowful Mysteries


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Study for an Angel in The Sorrowful Mysteries

496897 Study for an Angel in The Sorrowful Mysteries, 1890-1916 (charcoal & stump on paper) by Sargent, John Singer (1856-1925); 62.5x47.9 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; (add.info.: Study for mural paintings installed in three phases (1895, 1905, 1916) at the Boston Public Library.); Gift of Miss Emily Sargent and Mrs. Francis Ormond, sisters of the artist; American, out of copyright

Media ID 23494450

© Gift of Miss Emily Sargent and Mrs. Francis Ormond, sisters of the artist / Bridgeman Images

Clasped Hands Mysteries Sorrowful Studies


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EDITORS COMMENTS
This photograph captures a print of John Singer Sargent's "Study for an Angel in The Sorrowful Mysteries". Created between 1890 and 1916, this charcoal and stump on paper artwork measures 62.5x47.9 cm and is part of the Corcoran Collection at the National Gallery of Art in Washington D. C. , USA. The study depicts an angel with clasped hands, evoking a sense of sorrow and contemplation. This particular piece served as a preliminary work for mural paintings installed at the Boston Public Library over three phases from 1895 to 1916. It showcases Sargent's meticulous attention to detail, capturing every delicate stroke with precision. Gifted by Miss Emily Sargent and Mrs. Francis Ormond, sisters of the artist, this American masterpiece holds immense historical significance within its brushstrokes. With its copyright expired, it stands as a testament to Sargent's artistic prowess that continues to inspire generations. Bridgeman Images has beautifully captured this print through their lens, allowing viewers to appreciate the intricate details that make up this mesmerizing study. Whether you are drawn to angels or simply fascinated by artistry itself, this image serves as a window into one artist's creative process—a glimpse into his world where beauty meets melancholy in perfect harmony.

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