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The Immaculate Conception (Santa Maria Immaculate Conception), 1669-70 (marble)
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The Immaculate Conception (Santa Maria Immaculate Conception), 1669-70 (marble)
5974629 The Immaculate Conception (Santa Maria Immaculate Conception), 1669-70 (marble) by Puget, Pierre (1620-94); Oratorio di San Filippo Neri, Genoa, Italy; Luisa Ricciarini; French, out of copyright
Media ID 23017434
© Luisa Ricciarini / Bridgeman Images
Cherubim Drapery Folds Immaculate Conception Cherub Cherubs
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EDITORS COMMENTS
This print showcases the exquisite marble sculpture of "The Immaculate Conception (Santa Maria Immaculate Conception)" created by Pierre Puget in 1669-70. The artwork, housed in the Oratorio di San Filippo Neri in Genoa, Italy, is a testament to Puget's mastery of baroque sculpture during the seventeenth century. In this piece, Puget beautifully captures the essence of purity and divinity through his depiction of the Virgin Mary. Adorned with intricate drapery that gracefully cascades down her figure, she stands as a symbol of immaculacy and spiritual grace. The folds in her garments add depth and realism to the sculpture, enhancing its visual impact. Surrounding Mary are cherubs or putti - angelic figures often associated with innocence and childlike wonder. These cherubim contribute to the ethereal atmosphere of the composition while emphasizing Mary's divine connection. The use of marble as a medium further enhances the grandeur and timelessness of this masterpiece. Its smooth texture allows for delicate details to be carved into every inch, resulting in an awe-inspiring work that has stood the test of time. Luisa Ricciarini expertly captures this remarkable sculpture through her lens, preserving its beauty for generations to come. This print serves as a window into an era when art was not only visually stunning but also deeply religious and spiritually significant.
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