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The Bones of the Hand (litho)
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The Bones of the Hand (litho)
7188988 The Bones of the Hand (litho) by Gotch, Rosamund Brunel Horsley (1864-1949); Private Collection; (add.info.: The Bones of the Hand. Illustration for The Science of the Hand translated from the French of M Le Capitaine Cs D Arpentigny (Ward, Lock and Bowden, 1895). Plates and diagrams by Rosamund Brunel Horsley.); © Look and Learn
Media ID 25167824
© Look and Learn / Bridgeman Images
Bone Bones Cheirognomy Human Mind Read Tendencies Understand Understanding Understood
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The Bones of the Hand (litho)
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is a captivating black and white lithograph that offers a glimpse into the intricate workings of the human hand. Created by Rosamund Brunel Horsley Gotch, this 19th-century print showcases her exceptional talent for scientific illustration. The image, taken from "The Science of the Hand" translated from French by M Le Capitaine Cs D Arpentigny, provides an in-depth understanding of cheirognomy - the study of hand shapes and their corresponding tendencies in relation to the human mind. Through detailed plates and diagrams, Horsley beautifully captures every bone and joint within our hands, revealing their significance in unlocking secrets about our personalities. This lithograph serves as a visual gateway to early scientific methods used to comprehend not only our bodies but also ourselves. The delicate lines and shading bring life to each bone, allowing us to appreciate both its form and function. As we gaze upon this remarkable artwork, we are reminded of how much there is still left to be understood about the complexities of our own bodies. It invites us to delve deeper into the mysteries that lie beneath our skin while appreciating the beauty found within even the most minute details. "The Bones of the Hand (litho)" is a testament to Horsley's artistic prowess as well as her dedication to unraveling nature's enigmas through her illustrations. This print stands as a timeless piece that continues to inspire awe and curiosity among those who encounter it.
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