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Leather Panel, c. 1350-1400 (tooled leather)
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Leather Panel, c. 1350-1400 (tooled leather)
499835 Leather Panel, c.1350-1400 (tooled leather)
by French School, (14th century); 15.9x7.65 cm; Cleveland Museum of Art, OH, USA; (add.info.: This leather panel has been tooled into deep relief. It probably decorated a wooden casket. The two scenes represented are, above, Christ Appearing to Mary Magdalene after his resurrection--also known as the Noli me tangere (" Do not touch me" )--and, below, Christs Entry into Jerusalem.
); Gift of Ruth Blumka in memory of Leopold Blumka; French, out of copyright
Media ID 22918472
© Gift of Ruth Blumka in memory of Leopold Blumka / Bridgeman Images
Jerusalem Leather Mary Magdalene Panel Resurrection Biblical Scene C14th Tooled
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EDITORS COMMENTS
This print showcases a remarkable piece of art from the 14th century, known as the Leather Panel. Created by the French School, this tooled leather masterpiece measures 15.9x7.65 cm and is currently housed in the prestigious Cleveland Museum of Art in Ohio, USA. The panel's intricate design features deep relief work that was likely used to adorn a wooden casket. Divided into two distinct scenes, it portrays significant biblical moments with great detail and finesse. The upper scene depicts Christ Appearing to Mary Magdalene after his resurrection, commonly referred to as Noli me tangere or "Do not touch me". The lower scene captures Christ's Entry into Jerusalem. This extraordinary artwork offers viewers a glimpse into religious narratives from centuries ago. Its craftsmanship and attention to detail are truly awe-inspiring, showcasing the skill and talent of artists during this period. Gifted by Ruth Blumka in memory of Leopold Blumka, this French treasure holds immense historical value and remains an important artifact within the museum's collection. Thanks to Bridgeman Images' fine art finder service, we can now appreciate this exquisite print that immortalizes the beauty and significance of this ancient leather panel for generations to come.
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