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The Laughter, Satirical in Colours, 1908_3_14: In Morocco - John Bull, Marianne, Guillaume II - Illustration by Markous (1883-1941)

The Laughter, Satirical in Colours, 1908_3_14: In Morocco - John Bull, Marianne, Guillaume II - Illustration by Markous (1883-1941)


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The Laughter, Satirical in Colours, 1908_3_14: In Morocco - John Bull, Marianne, Guillaume II - Illustration by Markous (1883-1941)

ICA4862053 The Laughter, Satirical in Colours, 1908_3_14: In Morocco - John Bull, Marianne, Guillaume II - Illustration by Markous (1883-1941); (add.info.: The Laughter, Satirical in Colours, 1908_3_14: In Morocco - John Bull, Marianne, Guillaume II - Illustration by Markous (1883-1941)); Photo © Caricadoc

Media ID 38265376

© Photo © Caricadoc / Bridgeman Images

Dispute East Prussia International Relations Maghrebi Maghrebian Maghrebin Maghrebine Marianne Moroccan Morocco Palmier Prussia Prussian Prussians Rivalry Sabre William Ii (1859 1941)


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EDITORS COMMENTS
This satirical illustration from 1908 titled "The Laughter, Satirical in Colours: In Morocco - John Bull, Marianne, Guillaume II" by Markous captures a moment of political tension and humor. The image features caricatures of three prominent figures: John Bull representing England, Marianne symbolizing France, and Guillaume II embodying Germany. In the backdrop of Morocco, a region known for its complex history and colonial struggles, these characters are depicted with exaggerated features and expressions. John Bull appears confident and imposing, Marianne exudes elegance and charm, while Guillaume II looks stern and determined. The use of vibrant colors adds to the playful nature of the illustration, contrasting with the serious undertones of imperial rivalry during this period. The inclusion of weapons in the scene hints at potential conflicts brewing between these nations over territorial ambitions in North Africa. Overall, this artwork serves as a reminder of the power dynamics at play in early 20th-century Europe and their impact on regions like Morocco. It is a fascinating glimpse into the world of political satire and visual storytelling that was popular during this era.

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