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Composition with figures. (Painting, 1913)
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Composition with figures. (Painting, 1913)
FIA5361110 Composition with figures. (Painting, 1913) by Popova, Lyubov Sergeevna (1889-1924); State Tretyakov Gallery, Moscow; (add.info.: Composition with figures. Painting by Lyubov (Lyubov) Sergeyevna Popova (1889-1924), oil on canvas, 1913. Russian art, 20th century, abstract art. State Tretyakov Gallery, Moscow.); Photo © Fine Art Images
Media ID 24709290
© Fine Art Images / Bridgeman Images
Abstract Cubism Desorder Finestages Form Multicolored Russian Russian Russian Russian Years 1910 Years 10 Years Ten
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EDITORS COMMENTS
This print showcases "Composition with figures" a remarkable painting created in 1913 by the talented Russian artist Lyubov Sergeevna Popova. The artwork, currently housed at the State Tretyakov Gallery in Moscow, is an exemplary representation of abstract art from the early 20th century. Popova's composition is a vibrant explosion of color and form, demonstrating her mastery of cubism and her innovative approach to depicting figures. The canvas bursts with multicolored shapes and lines that seem to dance across its surface, creating a sense of energy and movement. The artist's use of bold colors adds depth and intensity to the piece, while also conveying emotions and ideas beyond literal representation. Each carefully chosen hue contributes to the overall harmony of the composition, resulting in a visually striking work that captivates viewers. "Composition with figures" exemplifies Popova's commitment to pushing artistic boundaries and exploring new possibilities within painting. Her unique style challenges traditional notions of representation, inviting viewers to engage with art on a more abstract level. As we gaze upon this mesmerizing photo print, we are transported back in time to witness one woman's creative genius unfold before our eyes. It serves as a testament not only to Popova's talent but also to the enduring power of art itself – transcending time and space to inspire generations yet unborn.
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