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Takashima Ohisa, c. 1795 (colour woodblock print)
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Takashima Ohisa, c. 1795 (colour woodblock print)
2969345 Takashima Ohisa, c.1795 (colour woodblock print) by Utamaro, Kitagawa (1753-1806); 38.0x25.8 cm; The Art Institute of Chicago, IL, USA; Clarence Buckingham Collection; Japanese, out of copyright
Media ID 23445594
© Clarence Buckingham Collection / Bridgeman Images
Crouch Crouching East Asia East Asian Mirror Mirrors Oban Reflection Reflections Vanity
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EDITORS COMMENTS
The captivating print titled "Takashima Ohisa" by Utamaro, Kitagawa showcases the timeless beauty and elegance of a Japanese woman from the late 18th century. This exquisite colour woodblock print measures 38.0x25.8 cm and is housed in The Art Institute of Chicago's prestigious Clarence Buckingham Collection. In this artwork, we see Takashima Ohisa crouching gracefully before a mirror, engrossed in her own reflection. Her delicate features are accentuated by the soft hues used by Utamaro, capturing her ethereal allure with great precision. The artist masterfully portrays the intimate act of self-admiration as an expression of vanity and introspection. Ohisa's contemplative pose invites us to ponder on notions of beauty and self-perception that transcend time and culture. Through her gaze into the mirror, she symbolizes not only personal reflection but also societal expectations placed upon women during that era. Utamaro's attention to detail is evident in every stroke, highlighting his mastery over woodblock printing techniques. The play of light and shadow creates subtle reflections within reflections, adding depth to this mesmerizing composition. This remarkable piece serves as a window into East Asian aesthetics while celebrating the enduring allure of femininity across cultures. It reminds us that true beauty lies not only in physical appearance but also in one's ability to reflect upon oneself with grace and authenticity
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