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Portrait of Anne, second Countess of Albemarle making knots (oil on canvas, 1759)

Portrait of Anne, second Countess of Albemarle making knots (oil on canvas, 1759)


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Portrait of Anne, second Countess of Albemarle making knots (oil on canvas, 1759)

LRI4610621 Portrait of Anne, second Countess of Albemarle making knots (oil on canvas, 1759) by Reynolds, Joshua (1723-92); National Gallery, London, UK; (add.info.: Portrait of Anne, second Countess of Albemarle (1703 - 1789) making knots. Painting by Sir Joshua Reynolds (1723-1792), 1759, oil on canvas, 126x101 cm. London, National Gallery); Luisa Ricciarini; English, out of copyright

Media ID 23321946

© Luisa Ricciarini / Bridgeman Images

Chale Earrings Widow Jewel Mourning


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EDITORS COMMENTS
This portrait, titled "Portrait of Anne, second Countess of Albemarle making knots" is a masterpiece created by the renowned artist Sir Joshua Reynolds in 1759. The painting showcases the elegant and dignified figure of Anne, who was the second Countess of Albemarle from 1703 to 1789. Anne's regal presence is beautifully captured as she sits gracefully, engrossed in her task of making knots. Her attire reflects her noble status with its intricate details and luxurious fabrics. Adorned with exquisite earrings and a mourning veil, she exudes an air of sophistication and refinement. Reynolds' skillful brushwork brings out every nuance in Anne's expression, revealing both strength and vulnerability. The artist masterfully captures the essence of this remarkable woman through his use of light and shadow. Displayed at the National Gallery in London, this painting serves as a testament to Reynolds' talent for portraiture. It offers us a glimpse into the world of British nobility during the 18th century while highlighting Anne's role as an influential member of society. Luisa Ricciarini has expertly photographed this print, preserving all its intricate details for art enthusiasts to admire. With its historical significance and artistic brilliance, this portrait continues to captivate viewers even centuries after its creation.

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