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At the center of the Place de la Concorde
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At the center of the Place de la Concorde
5307629 At the center of the Place de la Concorde; (add.info.: At the center of the Place de la Concorde. Paris is a giant Egyptian obelisk decorated with hieroglyphics exalting the reign of the pharaoh Ramses II. It is one of two the Egyptian government gave to the French in the 19th century. The obelisk once marked the entrance to the Luxor Temple. The self-declared Khedive of Egypt. Muhammad Ali Pasha. offered the 3.300-year-old Luxor Obelisk to France in 1829. It arrived in Paris on 21 December 1833. Three years later. on 25 October 1836. King Louis Philippe had it placed in the center of Place de la Concorde.
2016); Universal History Archive/UIG
Media ID 38437112
© Universal History Archive/UIG / Bridgeman Images
Ancient Egyptian Hieroglyphics Khedive Of Egypt Luxor Muhammad Ali Pasha Obelisk Pharaoh Place De La Concorde Ramses Ii
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EDITORS COMMENTS
This stunning print captures the majestic beauty of the Luxor Obelisk at the center of the Place de la Concorde in Paris. Standing tall and proud, this ancient Egyptian obelisk is adorned with intricate hieroglyphics that tell tales of the reign of Pharaoh Ramses II. Gifted to France by Muhammad Ali Pasha, the self-declared Khedive of Egypt, in 1829, this 3,300-year-old treasure has become a symbol of cultural exchange and friendship between nations.
The Luxor Obelisk once marked the entrance to the Luxor Temple in Egypt before finding its new home in Paris. Its arrival on December 21, 1833 was met with great excitement and three years later it was placed at its current location in Place de la Concorde by King Louis Philippe on October 25, 1836.
As you gaze upon this remarkable image, you can't help but feel a sense of awe at the history and significance behind this iconic monument. The blend of ancient Egyptian artistry against a backdrop of modern-day Parisian architecture creates a truly mesmerizing sight that speaks to centuries of human civilization and connection. This print is not just a visual masterpiece; it is a testament to the enduring power of cultural heritage and diplomacy.
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