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The Domino, 1904 (oil on canvas)

The Domino, 1904 (oil on canvas)


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The Domino, 1904 (oil on canvas)

2956882 The Domino, 1904 (oil on canvas) by Steer, Philip Wilson (1860-1942); 78.74x58.42 cm; Private Collection; (add.info.: Steers title is from The Black Domino, a popular play on at Londons Adelphi Theatre, which hinges around the pretty young heroines use of a cloak, or domino, to disguise her identity at a ball (she holds a masque in her hand) at which she thinks she discovers her husbands infidelity - she prevails over her rival in the end. Steer had studied in Paris in the early eighties, and became a founder member of the New English Art Club, grafting French Impressionism on English stock (Tate website).); Photo eThe Ms Gallery, London; English, out of copyright

Media ID 22797212

© The Maas Gallery, London / Bridgeman Images

Cape Disguise Disguised Domino Drapery Hood Hooded Mask Masquerade


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Impressionism

> Arts > Artists > M > Thomas Edwin Mostyn

> Arts > Contemporary art > Pop art > Impressionism

> Arts > Contemporary art > Portraits > Impressionism

> Arts > Contemporary art > Portraits > Pop art

> Arts > Fine Art

> Arts > Still life artwork > Pop art > Fine arts

> Arts > Still life artwork > Pop art > Impressionism

> Arts > Modern art pieces > Impressionism > Pop art

> Arts > Modern art pieces > Pop art > Impressionism

> Fine Art Finder > Artists > Philip Wilson Steer

> Fine Art Finder > Artists > Thomas Edwin Mostyn

> Fine Art Finder > Women 19th And Early 20th Century


The Domino, 1904

EDITORS COMMENTS
is a captivating oil painting by Philip Wilson Steer that measures 78.74x58.42 cm and belongs to a private collection. The title of the artwork draws inspiration from "The Black Domino" a popular play performed at London's Adelphi Theatre during that time. In this intriguing portrait, we see a young woman holding a masque in her hand, dressed in an elegant black cloak known as a domino. The domino serves as her disguise, allowing her to conceal her true identity while attending a ball where she suspects her husband's infidelity. Steer's artistic style reflects his early studies in Paris and his involvement with the New English Art Club. He skillfully combines French Impressionism with English art traditions, resulting in this mesmerizing piece. The print captures the intricate details of Steer's brushstrokes and showcases the beauty of the woman's half-length portrait. Her hooded cape drapes gracefully around her shoulders, adding an air of mystery to the scene. This image transports us back to Edwardian times when masquerades were alluring events filled with intrigue and hidden identities. It reminds us of the power of disguise and how it can be used to navigate complex social situations. Bridgeman Images has expertly preserved this remarkable painting through their high-quality photo reproduction, allowing viewers today to appreciate Steer's mastery and delve into the fascinating world he created on canvas.

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