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The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures
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The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures
FLO4690227 The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The figures of Time with a scythe and Death with his spear and hourglass stand behind an artist with a quill pen drawing in an atelier filled with classical busts and sculptures. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 23325214
© Florilegius / Bridgeman Images
Allegorie Allemagne Angleterre Artiste Atelier Bas Reliefs Cartoonist Civilisation Danse Macabre Dessinateur Grande Bretagne Long Macabre Dance Mort Plume Skeleton Squelette Symbole Temps Wooden Carving 19eme Siecle Florilegius Gravure
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EDITORS COMMENTS
In this photo print, we are transported to an atelier filled with classical busts and sculptures. The atmosphere is both eerie and intriguing as the figures of Time and Death loom behind an artist who diligently works with a quill pen. The artist's focus remains unbroken despite the presence of these symbolic figures. Time, depicted with a scythe, reminds us of life's fleeting nature while Death, armed with his spear and hourglass, serves as a constant reminder of mortality. The room itself exudes history and artistry, showcasing the beauty of classical sculpture that surrounds the artist. Each piece seems to come alive in its own unique way. This handcoloured copperplate engraving by Thomas Rowlandson captures not only the essence of allegory but also provides insight into 19th-century England. It speaks to themes such as civilization, population growth, and the macabre dance between life and death. As viewers, we are drawn into this scene where art meets mortality. We can almost feel the weighty presence of Time and Death as they silently observe the artist's every stroke. Overall, this image invites contemplation on our own existence within the confines of time while celebrating artistic expression in all its forms.
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