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The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann
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The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann
FLO4690345 The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 22463134
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
In this handcoloured copperplate print by Thomas Rowlandson, we are transported to a dramatic scene from "The English Dance of Death". The image depicts an irate father desperately trying to prevent his only daughter from eloping with a soldier in a stagecoach bound for Gretna Green. As the tension rises, an unexpected guest joins the distraught father – the skeleton of Death himself. Rowlandson's masterful engraving skillfully captures the emotional turmoil and macabre atmosphere of this momentous event. The angry father is depicted with furrowed brows and clenched fists, while Death looms ominously beside him, reminding us of life's inevitable end. The choice to handcolour this print adds depth and richness to the composition. Vibrant hues bring life to every detail, from the soldier's uniform and horse-drawn stagecoach to Death's skeletal form. This juxtaposition between vibrant colors and dark subject matter creates a striking visual contrast that draws viewers into the narrative. "The Skeleton of Death Joins an Irate Father" serves as both allegory and social commentary on love, loss, and mortality in early 19th century England. It invites contemplation on themes such as parental control, societal expectations, and human vulnerability in matters of the heart. This remarkable piece showcases Rowlandson's talent for capturing complex emotions through his intricate engravings. It remains a testament to his enduring legacy as one of Britain's most celebrated artists during this period.
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