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Coronation of the Virgin, 1414 (tempera on wood, gold background)
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Coronation of the Virgin, 1414 (tempera on wood, gold background)
887049 Coronation of the Virgin, 1414 (tempera on wood, gold background) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Polyptych for the high altar of the Camaldolese monastery of Santa Maria degli Angeli (St Mary of the Angels), Florence.
); Italian, out of copyright
Media ID 23242226
© Bridgeman Images
Annunciation Archangel Benediction Blessing Ciborium Coronation Crowning Frame Frieze Frontal Gilded Holiness International Gothic Rainbow Redeemer Sacred Art Saint Benedict Triumph Camaldolese Order Cusp Sacredness Solemnity
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EDITORS COMMENTS
This print showcases the "Coronation of the Virgin" by Lorenzo Monaco, a renowned Italian artist from the 15th century. Painted in tempera on wood with a striking gold background, this masterpiece is housed in the prestigious Galleria degli Uffizi in Florence, Italy. The artwork depicts a moment of great significance and holiness - the coronation of the Virgin Mary. The scene is filled with celestial beings as angels surround her, their gilded wings shimmering in divine light. Kneeling before her are various saints and figures representing different orders, emphasizing the sacredness of this event. Monaco's meticulous attention to detail can be seen in every brushstroke. The composition exudes solemnity and reverence as Mary is crowned by an archangel while a crowd looks on with awe and admiration. A rainbow arcs across the sky above them, symbolizing God's covenant and blessing upon this holy occasion. The painting reflects elements of both International Gothic style and Renaissance artistry, showcasing Monaco's mastery over his craft. The intricate frame adds to its grandeur while highlighting its importance as part of a larger polyptych created for Santa Maria degli Angeli monastery. This remarkable piece captures not only religious devotion but also artistic triumph through its frontal composition and vibrant colors. It serves as a testament to Monaco's skillful portrayal of sacred subjects that continue to inspire viewers even centuries later.
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